For the first time, a painting contest is organized whose theme is the fight for Panamanian sovereignty over the Panama Canal. A primordial experience in the country, its executors, popular artists born in the bowels of the countryside and the city, provide an enriching testimony of their lived experiences in the face of colonialism.

2008 / 35MM / 2 Min.
2026

Two years after being released from prison, a former advertising director is struggling to rebuild his life in a city that does not offer second chances. Desperate for his situation, he agrees to participate as a driver of the vehicle in what appears to be a simple bank robbery.
2026

Claudia, a friendly and cheerful young woman, is chatting on the phone with her sister as her wedding day approaches. However, one detail is worrying her family: no one has met her fiancé yet. Claudia reassures her sister by saying that he is, without a doubt, the man of her dreams.
2026

A documentary film crew follows Diego, a newly turned vampire who struggles to adapt with the help of his vampire roommates. Between family disputes and clashes over vampire behavior, Diego tries to get used to his new bloodthirsty life while remaining true to himself and the people he loves.
2025

Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.
2025

A multiscreen installation, a colorful beach bar, the statue of Saint Christopher - a postcolonial look at the edge of the harbor in Flensburg and the question of what is made visible and what is not.
2023

2023

The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
2019

Recorded at The Lemon Tree, Aberdeen in December 2013, and features a song from every Stranglers studio album up to 1990 and a song from every Hugh Cornwell studio album.
2015

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
2007

Kenneth is a charismatic character whose trade is taking pictures of his neighbours in Curundú. "An almost retired criminal" and also a man with a talent for storytelling. Through Kenneth and his pictures, the documentary talks about Curundú, one of the poorest and most marginalised neighbourhoods in Panama City.
2007
Documentary about calypso signer Lord Cobra.
2000

Colorful portrait of a subculture on the verge of disappearing: the hot, uncomfortable school buses that for decades served as Panama’s primary form of public transportation, seen through the eyes of one of their drivers. The British filmmakers themselves gave the film its Spanish title, La fama.
1991

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.
1988

A bus driver dreams of his ideal woman, who materializes with the face of the mermaid painted on his bus. Video transfer of a slide projection by Sandra Eleta, composed of images from nine projectors.
1984
The Nicaraguan revolutionaries, determined to overthrow the bloody dictatorship of Anastasio Somoza, enjoyed the semi-clandestine support of the Panamanian government and popular organizations from 1974 onward. Following the Sandinista Front's victory, which toppled a dynasty that had ruled for over 45 years, General Omar Torrijos visited that sister nation to strengthen ties between the two peoples.
1982

Panama’s strategic geographic position has long been its greatest economic asset, with the Canal serving as the cornerstone of its development. Yet for decades, control of this vital waterway remained in the hands of a foreign power. Through interviews with residents of Panama City, Una bomba a punto de estallar (1977) captures the hopes, doubts and political sentiments surrounding the negotiation of the new treaties between Panama and the United States, offering a vivid portrait of a nation debating its sovereignty and future.
1977

A musical group of young people from Viejo Veranillo perform protest songs in favor of the sovereignty of Panama. Set in 1976, a year before the signing of the Torrijos-Carter Treaties, the members of the group led by “Chirri”, vocalist and ukulele player, tell of their experiences in the neighborhood and their disagreements with the US military on the border that divided its community with the old Canal Zone.
1976

As part of the process of political and social transformations undertaken by the military government, a new political model based on the election of corregimiento representatives (505 in total) popularly chosen and that will replace the former Assembly of Deputies controlled by political parties by political parties traditional The majority of the members of this new political experiment are peasants, indigenous, workers and community leaders.
1973
One year after the creation of the National Assembly of Community Representatives (1972), a new power structure established by the government, significant changes had taken place throughout the country. This documentary records the most important of these transformations, as well as the working methods of the Assembly. It follows the consultation tours organized by the Legislative Council, during which basic forms of grassroots organization are discussed at the community level. The film also draws a parallel between life in the countryside and in the city.
1973