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Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.
Luis Romero, Jacinto Cabrera, Enrique Benshimol

When his mentor is murdered and the President vanishes, a reluctant hero cop and his unpredictable partner must race across a chaotic Miami to retrieve a crucial briefcase that holds the city's fate.
2025

Documentary about the life of Luis Mariano Rivera.
2025

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.
2025

The Heroes of the Massacre River is a powerful documentary that chronicles the stories of the pioneers behind the construction of the historic Canal of Ouanaminthe, a project that united Haitians across the nation and the diaspora. This film celebrates the groundbreaking efforts of key figures, centering on Dr. Bertrhude Albert, Dr. Naismy-Mary Fleurant, architect Wideline Pierre, economist Etzer Emile as well as dedicated canal workers Milourie Sylfrard, Theodore Johnson and Joseph Pressoir — all guided by the investigative journey of Max Angie Clervil. It also serves as a commentary on the complexity of colonialism and borders, tracing the role that the Massacre River continues to play in the history of Ayiti.
2025

2017
Every year during the Art Basel fair, street artists from around the globe converge on Miami’s Wynwood district to transform its streets anew with a riot of creative colors. Streets of Wynwood transports the viewer into this nomadic subculture to meet some of world’s best exponents of urban art and to appreciate first-hand how this once clandestine tribe of taggers, graffiti writers and muralists have claimed their place in the broader art world. It’s a dazzling experience.
2016

2016

Director Noah Hutton returns to the same landowners, state officials, and oil workers he captured at the beginning of the Bakken oil boom six years ago in his 2009 debut documentary feature Crude Independence. A new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
2015
Rising Tide is a documentary project that follows seven young artists during the peak of Miami's art season. The film explores city's art culture and examines the impact Art Basel Miami Beach has had on Miami's development as an art city. Rising Tide provides context for Miami's underground art and highlights some of the characteristics that make Miami such an unusual and creative metropolis.
2012

Documentary chronicles the many ways in which the city of Miami helped transform little-known Olympic boxing into world-renowned, three-time heavyweight champion Muhammad Ali. Archival footage and interviews explore how the Fifth Street Gym along with the city's civil rights movement and vibrant African American community helped shape both the career and personal values of one of boxing's most outspoken figures.
2008

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
2003

The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.
1990

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
1985

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.
1978

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
1976

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
1969

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
1967
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
1950

A soccer player, relentlessly pursues his dream of playing professionally, threatens his relationship with his sister after he is kicked off the team and exiled back to Miami. As they battle over their mother’s legacy, he will stop at nothing to get another chance at soccer glory, even if it means losing the only family he has left.

Once again, the Stooges are three hapless tramps. After nearly destroying a farmer's (Richard Fiske) pile of firewood, the boys come to the assistance of the Widow Jenkins (Eva McKenzie), who has just been cheated out of her land by a trio of swindlers (Dick Curtis, Eddie Laughton, James Craig). Attempting to fix the woman's well, the Stooges instead unleash an oil geyser. They manage to retrieve the deed to the land and are allowed to marry the now wealthy Widow Jenkins' daughters. Moe tells Curly to wish for quintuplets, and Curly replies, "We'll honeymoon in Canada!" (a reference to the Dionne quintuplets).
1939