The film starts with a long, static shot of the sun rising above the hills near the Roma village of Hetea in Romania. We only hear the sounds of birds, including a cuckoo. In the distance, a satellite dish figures on a roof. Slowly, the daily routine begins. We see more and more activity, like the harnessing of a horse to a cart, loading stripped tree trunks, collecting water from a pipe, playing soccer and a girl getting punished with a severe slap on her arm. These scenes are mostly captured from a distance. Then, towards noon, the fat is in the fire. The camera looks for the villagers who argue with each other and registers how an old man paces up and down the street. Because the images have not been subtitled (intentionally), the meaning of the quarrel remains unclear. The film does not mention any names or other facts, either. The absence of this context makes this documentary into a picturesque impression.

A documentary about the Kosmos collective in Timisoara: a self-organized group of artists, curators, and musicians who revived a former textile factory.
2025

2022

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.
2021

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
2021

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
2017

1 village, 1.000 tractors, 100.000 tons of cabbages & potatoes each year - which are hardly sold and eventually destroyed. Is there any way out?
2017

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.
2016

Going to the very heart of the Bible's most challenging Book, this one hour documentary decodes the visions of Revelation 12 and 17 for everyone to understand. Journeying from the birth of Christ through the Christian era, this amazing video pulls aside the veil of hidden history to reveal the rise of Babylon, the persecution of the bride of Christ, and the real-world identity of the beast. Educational and inspiring, Revelation delivers the keys to understanding the epic conflict between Christ and Satan and what it means for your life today.
2013

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.
2013

Hungary was the site of serial murders on ethnic basis. Over the course of one year, the murderers killed and seriously injured Roma children and adults. The state charged 4 men with committing the crime with racial motivation. This historical trial started March, 2011, and ended August, 2013 in Budapest. The 167 days of hearings was only documented continuously by our crew. We had exclusive permission to use multiple cameras in the court-room. The film is a classical chamber-drama, taking place in a small, claustrophobic court room, in the middle of Europe. What will be the outcome of the marathon, 3 year-long trial?
2013

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.
2011

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
2005

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.
2005

Two thousand years ago, at the dawn of the first century, the ancient world was ruled by Rome. Through the experiences, memories and writings of the people who lived it, this series tells the story of that time - the emperors and slaves, poets and plebeians, who wrested order from chaos, built the most cosmopolitan society the world had ever seen and shaped the Roman empire in the first century A.D.
2001

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
1995

A structuralist work composed of static, long-duration shots of Roman ruins and architectural details, all filmed on Super 8. The film operates without a traditional narrative or dialogue, relying on fixed compositions to document the interplay of light and shadow across ancient stone. By framing monuments through windows and doorways, Jean-Claude Rousseau explores the relationship between historical space and the act of observation.
1989

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
1974

A public service announcement condemning the ominous obstacle of social parasitism and delinquency amongst wayward youth unwilling to contribute to Romania’s socialist advancement.
1972

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
1963

On the evening of March 11, 1950, Annabella Bracci, a 12-year-old girl, was brutally killed and thrown into a pit on the outskirts of Rome, near the village of Primavalle. A brief and poetic account of the events and their impact on an impoverished community. A handful of wild flowers and a painful catch in the voices.
1951