This film was made with the help of a diary, video tapes and a roll of film found in the Lahemaa forest. The owner has been reported missing

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
2020

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
2020

RIPPLE, 2020. HD digital video loop & steel & hardware, duration: 5 minutes. Soundtrack by Kevin Carey.
2020

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .
2019

Detoxify oneself from accumulate images, being able to see again as after an electroshock. ἐκπύρωσις, ekpýrosis, “out of the fire”, in Greek philosophy is the universal conflagration or “great fire and end of the world”.
2018

Safe places to view from.
2018

Living in fragments, pieced together in varied ways, uncertainly, and yet... Inside there is a familiar chaos, awaiting a key...
2018
The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.
2012

A workshop film made with a group of students of the Pietro Zorutti School in Palmanova, Esercizi di Cinema is an experimental adaptation of Raymond Queneau's book Exercises in Style.
2007
A collection of Jim Henson's commercials, industrial reels, short films and some related talk show appearances. Includes Henson's Oscar nominated short, "Time Piece," in its entirety. Part of the Jim Henson Legacy's "Muppets, Music & Magic" program that debuted at the Brooklyn Academy of Music in 2004.
2004

A portrait of Dana Plays' 90 year old paternal grandmother, Peggy Regler, reminiscing about her love affairs and significant relationships. Regler tells about her failed first marriage, the agreement she had to stay until the children were grown (but to see other lovers) which resulted in the true love she found with her second husband and renowned writer Gustav Regler, who later died a tragic death in India. The love affairs are historically rooted in the political and technological developments 20th century, and are narratively based in a complex sound/image structure. Interludes (silent optically printed film passages narrated with inter-titles excerpted from her diaries, and early childhood memories) formalistically refer to early cinema. The footage in these passages is re-contextualized and interwoven metaphorically throughout the text.
1994

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
1993

The Machine That Killed Bad People is about the cultural and political history of the Philippines leading up to the overthrow of President Ferdinand Marcos in 1986. It also addresses the role of electronic media in the struggle for power, and more broadly, American intervention in the Third World. Using a structure that emulates the way television news programs construct meaning through fragmentation, the tape interweaves clips of Filipino activists and reporters, a fictional television anchorwoman and correspondent, commentary by independent filmmaker Trinh T. Minh-ha, Fagin's off-camera voice and script, and anonymous excerpts from commercial television.
1990
Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.
1986
16mm film by Radoslav Vladić.
1978
8mm film by Bojan Jovanović.
1974

An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.
1968

A deconstruction of Dog Star Man that takes the four rolls and shows them first combined, then each combination of three rolls, then each combination of two rolls, then each individual roll. The plot is of a man who goes up a mountain with a dog to chop down a tree but has some unspecified transcendental experience while he is there.
1965

Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
1926