Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Sergio Saravia, Adrian Saravia, Fabian Saravia, Jimena Quesada, Ana María Matamoros, Jan Saravia

Childhood memories resurface through the heat, the sounds, and the overwhelming nostalgia of coming home to the City of Mangoes.
2025

A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.
2021

From resting trees, to violent waters, to blood splattered in the dirt. A wanderer searches for tranquility in 13th century Japan during the Mongol invasion or a collection of 48 moving images captured entirely within the virtual world of Ghost of Tsushima.
2020

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
2016

A woman's waiting for a man who will never return, another one boxing proudly the vacuum, a singer without orchestra, a conductor lonely. Lonely characters united by a fable, a naked young man lost in the woods, chasing or fleeing something.
2016

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
2016

A completely new story based on existing footage from the series Columbo.
2014

An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.
2013
In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.
2013

This metaphorical surrealist tale is an allusion. NIGHTINGALES IN DECEMBER is a trip into the memories, and the fields of the current realities. What if the Nightingales were working, instead of singing and going south? Is the innocence the only savior of birdsongs? There are no Nightingales in December... What is left, is only the history of our beginning, and our end.
2012

Levin lives in his memories and can't shake his first love. Caught in a spiral of constant changing memories he figures out what he really did. Meanwhile his boss forces him to join an elite group of brokers, who meet to fight each other on weekends. Those meetings are a counter balance to their stressful jobs. Levin decides that his big ego doesn't deserve to live. But instead of going through with this decision, he escapes again, risking the life of his boss during one of the fight weekends.
2010

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.
1989

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
1977

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
1977

As a family goes on with their day, the shadows on their walls lead a completely different life.
1977

Three showgirls playfully mock the audience for attending a projection of an art film.
1974

The Prince of Denmark, Hamlet, is little interested in family affairs and the fate of the kingdom, and not at all attracted by a doll-like Ophelia sucking his finger. Annoyed by his friend Horatio, who tells him of the apparition of his father's spectre that would like to drive him to revenge, and by Polonius, Ophelia's father, who psychoanalyses him by explaining the Oedipus complex, he imagines escaping to Paris with Kate, the leading actress of the company performing in Elsinore, to become a playwright.
1973

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.
1968

A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.
1964

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
1963