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Dear Ms.: A Revolution in Print
Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago
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"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?
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Exergo
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
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Citoyennes !
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Beyond Ratings
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
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To Be a Bruja
Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.
2023
Women, Maasai and rangers - The lionesses of Kenya
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
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It’s Raining Women
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
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The Last Laugh
Two men are in dialogue with each other. It's implied dialogue, an attempt to give structure to what lies beneath the surface, yet always brewing and active. Of course, there are women all around.
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Those Who Care
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
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The Indomitable
The story of women's struggle against sexual discrimination and for inclusion in the democratic process in (West) Germany after WW II.
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Bangla Surf Girls
Three working-class teenage girls in a port city in Bangladesh escape daily hardships and stifling family lives by riding waves on their surfboards and grabbing hold of the fleeting and thrilling sense of freedom that brings.
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Still Tomorrow
Yu Xiuhua was raised to hope for little from her life in the rural Chinese province of Hubei. At 19, Xiuhua’s mother encouraged her to marry a man nearly twice her age, fearful no one else would accept a wife with Xiuhua’s condition — cerebral palsy. But as her 20th anniversary approaches, Xiuhua’s poetry goes viral, and she becomes the voice of a rising feminist movement throughout China.
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The Taste of Salt
At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.
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Dein Land ist mein Land
Ayşe Polat grows up in Hafenstraße in Hamburg in the 1980s. The 15-year-old is surrounded by crime and is quickly pigeonholed by outsiders because of her living situation. However, the criminal environment doesn't say much about the person.
1989
Illuminated Lives: A Brief History of Women's Work in the Middle Ages
This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.
1989
Mais qu'est ce qu'elles veulent ?
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
1975