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At Ngay Ngay, a village in northern Senegal, there are real natural evaporative basins in which depending on the year large or small quantities of sea salt dry out. Located 15 kilometres from Saint-Louis, the village is living around a complex community organisation: men divide the salt fields into plots, and women are those who harvest. In the end, the men receive a share of the crop, while women are those who took great pains over the harvesting.

This is the story of Africa's first Boxing World Champion, Battling Siki. Who was this boxer born in Senegal, decorated for Bravery in World War I? Why do so few know that he fought and won the World Light Heavyweight Title aged 25, only to lose it controversially six months later? And why was his life cut short on a New York Street aged 28?
2025

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
2025

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
2024

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
2024
A short documentary exploring how the ocean is an empowering space for women to connect. Told through the personal story of Deguene, a 17 year old surfer, from Dakar, Senegal. She leads us on a journey through the waves of her familial past which is deeply connected to the spirit of the ocean. This powerful story explores the symbiotic relationship between women, the ocean, community and sport.
2023

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.
2022

FENEEN is a journey into Senegal's urban music scene. This project was born from the meeting of Italian producer Frank Sativa with Senegalese pop-star Leuz Diwane G and Italian-Senegalese rapper F.U.L.A. This gave rise to a song, a video clip and a documentary with the same name (Feneen). Feneen portrays the current urban and music subculture of Dakar suburbs. The documentary highlights the fundamental rule of the urban subculture in debunking the stereotypical image of the African continent.
2021

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
2021

Through experimentation, direct observational filmmaking, and performative play, filmmaker Amy Reid rides and films with women truckers who have fled domestic violence, the stigmas of being formerly incarcerated, and mental health issues. The three subjects -- Sandi, Lori, and Tracy -- each share how they started trucking and what keeps them trucking.
2020

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.
2019

In 1990, when Bischofferode entered the market economy, potash production in East Germany was in third place in the world's export ranking and in West Germany in fourth place. Bischofferöder Kalisalz is of a special quality and the plant therefore had loyal customers in Western Europe, especially in Scandinavia, even before the fall of the Wall. In the West, there is a major competitor - BASF subsidiary Kali und Salz AG from Kassel. The film reconstructs the mega-deal in one of the world's most important raw materials markets. The so-called potash merger was the biggest economic deal of German reunification, which has cost the taxpayer almost two billion euros to date. The Free State of Thuringia - the federal state with the best potash deposits in Germany - is still the big loser of the mega-deal today. Thuringia may be rich, but it loses almost all its potash mines, along with Bischofferode, and now has to spend millions of euros each year to rehabilitate and secure its mines.
2018

Following the steps of Oumar Seye, first black African professional surfer, Cherif, Paké, Assane and Mbabou, childhood friends from Ngor village in Dakar, make a living with their passion, surfing. They’ve been qualified to form the Senegalese national team for the first time at the ISA World Surfing Games in Biarritz, France. A crucial stake for these worthy ambassadors of the "Teranga" spirit.
2018

The story of four Senegalese youths from the suburbs of Dakar who are about to set their country ablaze in 2011, via the grassroots movement called Y’en a marre (We’re fed up).
2013

A documentary that focuses on the craftspeople who continue to make salt with a technique called Agehama-shiki that has been passed down since ancient times, and the lush natural environment of the northernmost tip of the Noto Peninsula in Ishikawa Prefecture. It is also the feature-length debut of director Ishii Kaori. The process of making salt by collecting sea water and boiling it in a hiragama cauldron temporarily died out during the period of Japan's rapid economic growth following World War II, but one family's efforts to keep it alive has miraculously ensured its continuation. Salt is a vital element of people's lives. The saltmaking artisans who perpetuate their traditions represent a way forward for those of us living in this modern age.
2011

Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.
1997

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.
1989
1952
"Work While You Have the Light" is a feature documentary by a multi-generational directing team that examines professional women who are over seventy years old and still working.

The James Brown Story
1978

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
1975