formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.

As years and years go by, a tiny civilization makes its way upwards.
2021

Beneath towering Brutalist architecture, a man is driven to do what must be done.
2019

Rather pointless, rather stilted, fetid; not what we want us going after.
2017

It's time the times met each other over & over.
2017

Say Om as you reach home only to realize you never really left/stopped saying Om.
2017

Strings together what's strung together (please use yr tether).
2017

Your raging romp results only in rescinded regret @ the hands of radder cadets.
2017

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
2017

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
2017

Lines align during acclimated apexes, shadowy vertices, and bright burrows.
2017

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
2017

10 minute experimental film. Warning: this video involves frequent strobing.
2017

3 minute experimental film.
2017

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
2017

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
2007

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
1987

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
1979

Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.

Various life performances by Japanese Noise acts: Aube - Low Spin Drift / Incapacitants - Live At 20000V / Dislocation - Writing And Masturbation / Masonna - Live At Bears And La Mama / Seed Mouth - Twilight City / Violent Onsen Geisha - Night Of Unlcean Water / Solmania - Live At Living Room / Merzbow - Piss For Yves Klein / C.C.C.C. - Loud Sounds Dopa / Hijokaidan - Live At La Mama.
1993

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
1969