
As years and years go by, a tiny civilization makes its way upwards.
2021

Gaining ideology from their last album Disco Volodar, the short film uses the core theme of space. The short film is filmed at Unit 3 Regents Trading Estate, the usual area for Sounds From The Other City. Using the philosophy of avante garde pioneer Maya Deren ‘one must at least begin with the body feeling’, the films opening is of the four piece standing atop of the hill in the Pendle countryside. This quickly melts into a warped reality and lands you into the POV of a camera and trapped in a liminal space where you see a band in session.
2021

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
2017

Rather pointless, rather stilted, fetid; not what we want us going after.
2017

It's time the times met each other over & over.
2017

Strings together what's strung together (please use yr tether).
2017

Your raging romp results only in rescinded regret @ the hands of radder cadets.
2017

Lines align during acclimated apexes, shadowy vertices, and bright burrows.
2017

Wax and wane until there is naught but boring pain.
2017

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2017

3 minute experimental film.
2017

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
2017

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
2017

Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.
2009

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
2007

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
1987

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
1979

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
1973

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
1969
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
1942