Loading Cinehub...
In the mid-1960s, Bretons took direct action against the French state. What were the origins and causes of this fervor, sung by Glenmor, the bard of this angry Brittany, from which young people had to emigrate to find a future?
Jean Bothorel, Roger Calvez, Pierre Chapalain, Yann Choucq, Charlez Ar Gall, Michel Herjean, Roland Kerhousse, Jean-Yves Lesouëf, Per Loquet, Joseph Martra, Guy Menez, Ronan Le Prohon

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
1982

Chronicles the musical career of British post-punk art rockers Wire.

November 2017, North of Paris : H. Reiner-Onet cleaning company workers are fighting an exemplary battle. This 45 days strike, one of the longest in the history of the French railway, led by these men and women, ended in a decisive victory against two giants, Onet and the SNCF. One of the most impoverished sectors among railway workers, they had no previous experience with striking or organized struggle. How did they pull such a victory ? Their dermination to fight was undoubtedly the key to winning, but so are the links they forged with revolutionary activists who brought with them a tradition of fighting for workers against employers.

"Don't Let The Bastards Grind You Down" is a documentary film about British social policy. The focus is on the political struggle against neoliberal austerity policies, which have their origins in the hated Thatcher government. The film features the former socialist MP Dave Nellist, who is now the national chair of the Trade Unionist & Socialist Coalition and Hannah Sell, the general secretary of the Socialist Party. The film features a local election campaign in the miners' town of Nuneaton, students campaigning against an increase in tuition fees and refuse workers from Birmingham striking against massive cuts to their wages.
2026

1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.
2025

When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975, they brought their country to its knees and catapulted Iceland to the forefront of today's global fight for gender equality. Unexpectedly funny, laced with evocative animation and powerfully told by the women who lived it – this is the true story of 12 hours that launched a revolution.
2025

2024

This spiritual successor to the 1942 original explores the vibrant yet tumultuous growth of Britishness over the past century. The film gives voices to a new reality of Britain, one that has been formed through the flourishing multiculturalism the country has seen since the original film was made. Academics and artists are interviewed to explore both past and present, and consider what a future Britain may look like.
2022

Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.
2015

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
2014

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.
2014

"Melting Lives - Victims of the New Weather" is a six-part documentary series in which the viewers meet people in the Arctic region who live close to and depend on nature for survival, and who struggle to maintain their way of life. Their tales are being heard and testimonies about how life is changing as the world gets ever warmer. The host, Samuel Idivuoma, is from northern Sweden. He visits Inuits on Greenland and in Alaska, aboriginal people in Canada and Nenets from the Siberian tundra in Russia
2009

By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
2009

Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
1996

Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as prisoners of war. The film focuses on the mothers of two of the strikers, and their struggle to save the lives of their sons.
1996

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.
1990

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
1981

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
1980

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
1977

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
1965