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Véronique

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

2025

Einstein and the Bomb

What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.

2024

Every Day After

Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.

2023

Kunst als Waffe - John Heartfield

With a pair of scissors and some paper, he turned his art into a weapon the Nazis feared. A look back at the eventful career of satirist John Heartfield (1891-1968), pioneer of photomontage and modern graphic design.

2023

Senses of Cinema

As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.

2022

La Grotte Cosquer, un chef-d'œuvre en sursis

A short distance from Marseille, at Cape Morgiou, in the depths of the Calanques massif, lies the Cosquer cave, discovered only about thirty years ago by a diver, Henri Cosquer. With its bestiary of hundreds of paintings and engravings - horses, bison, jellyfish, penguins - the only underwater decorated cave in the world allows us to learn a little more about Mediterranean societies 30,000 years ago. Today, threatened by rising water levels accelerated by global warming, this jewel of the Upper Paleolithic is in danger of being swallowed up. To save the cave from disappearing, the Ministry of Culture has chosen to digitize it. From this virtual duplicate, a replica has been made on the surface to offer the public a reconstruction that allows them to admire these masterpieces.

2022

Marilyn, Her Final Secret

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

2022

Reality Winner

A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.

2021

Cinco Corazones

Argentina currently exports 60% of all horse meat consumed globally. However, the consumption of horse meat is prohibited in Argentina itself and no horses are bred for this purpose in the country. So, with 200,000 horses being slaughtered each year for export to the European Union, where exactly is this meat coming from? “Cinco Corazones” reveals the grim reality behind the lives of Argentinian horses. These animals suffer many forms of abuse from the moment they are born, only to end their lives being slaughtered for export to the main consuming countries in Europe. The film exposes cultural and sporting practices, political collusion and shady business dealings, which severely harm the health of these animals and constitute animal welfare violations.

2020

Break a Nail

Women around the world are often subject to harmful stereotypes depicting them as being weaker or inferior to men. The world of sports is no exception. This film tells the stories of girls who have broken through stereotypes and are participating in sports that are usually dominated by men. It wasn't easy for them to get there, but it was certainly worth it.

2019

Herbert von Karajan: Maestro for the Screen

Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.

2008

Les Misérables

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

1978

Scandalous Conduct: A Fairy Extravaganza

An Episcopal minister. 41 naval recruits. A zealous newspaper editor. A pandemic. A drag show. A beanstalk. The YMCA. A future president of the United States. This multiple screen installation looks at the 1919 Newport Sex Scandal.

Artist Unknown

A short documentary on how people view art and its value in today's society.

2017

Relatively Free

A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.

2016

Living memories

Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.

Bitch: a word movie

Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

God Does Not Believe in Us Anymore

After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.

1982

Listy Juliane

A dramatization of a novella by American writer Henry James. This subtle, psychologically profound story is narrated by young literary scholar Henry Jones, who, while searching for documents related to the romantic poet Jeffrey Aspern, finds himself in Venice at the end of the 19th century. Juliana Bordereau, whom Aspern sang about in his work and who owns much of his correspondence, still lives there. However, Juliana refuses to show it to Jones because these letters are the only link connecting her to life. Jones therefore decides to resort to trickery. He moves in with Juliana under a false name as a lodger and, by pretending to be in love, wins over her niece Tina, who is ultimately willing to help him. However, it soon becomes clear that such manipulation of people, even if motivated by a noble goal, does not pay off.

1978

Brasilia, Contradictions of a New City

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

1968