The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.
Alvar Aalto, Maire Gullichsen, Elissa Aalto

Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.
2025

Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
2023
2023

2023

A docu-art film about Kyiv and the contemporary problems of the capital. The film raises the issue of the dilapidated state of Kyiv's old buildings and the search for effective mechanisms to preserve the city's architectural heritage.
2020

Dresden is famous for its attempt to meticulously reconstruct its once bombed-out historical center and bring the colorful baroque settings of the 18th century back to life. It’s infamous for the right-wing-surge that has since 2015 swept the city and made it a center of far-right activity in Germany and Europe. This film is an exploration of where the two intersect.
2020

A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.
2020

2020

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
2019

A biography documentary of the Argentine modernist architect Amancio Williams.
2013

Alan Yentob profiles the most successful female architect there has ever been, the late Zaha Hadid, who designed buildings around the globe from Austria to Azerbaijan.
2013

2005-2008. Video. In 2005 San Francisco real estate magnate Angelo Sangiacomo commissioned Strickland to make a movie that would chronicle final stages in the construction of his new house in Pebble Beach, CA. Amidst the spectacle of the building site, the videographer sought to portray a design project of operatic proportions that involved a sometimes dissonant cast of characters and took more than 6 years to unfold. The owners hoped that this video record might lend future visibility to a structure’s bones and soul that otherwise vanish from sight by the time building is completed.
2008

This fascinating documentary explores the collaboration between Marion Mahony, the first registered woman architect in the world and the longest serving designer in Frank Lloyd Wright’s practice, and husband Walter Burley Griffin. Their struggle with unyielding bureaucracy, the philosophies that underscored their life and work, and their passionate commitment to an architecture that expressed a balance between society and the environment and an affinity between the human spirit and the natural world. The film weaves together their personal and professional lives, drawing on archival and contemporary footage of their work, an extensive collection of photographs, the couple’s own correspondance and writing, and interviews with prominent architects, social historians and the people who knew them.
2000

No understanding of the modern movement in architecture is possible without knowledge of its master builder, Mies van der Rohe. Together with documentation of his life, this film shows all his major buildings, as well as rare film footage of Mies explaining his philosophy. Phyllis Lambert relates her choice of Mies as the architect for the Seagram building. Mies's achievements and continuing influence are debated by architects Robert A.M. Stern, Robert Venturi, and Philip Johnson, by former students and by architectural historians. Mies is seen in rare documentary footage.
1986

A visual essay on contemporary Kiwi architecture.
1975

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
1972

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968

In 1959 Hiroshi Teshigahara shot the following 16 mm footage of he and his father’s first trip to Barcelona and the outlying Catalonian countryside, including a visit to the home of Salvador Dali in Port Lligat. The footage was recorded without sound.
1959
A short film about traditional crafts and culture that can still be found in the Wallachian mountains today.
1956
1938