A listening journey into South Africa's stories and memories of the past, challenges of the present and dream of the future.

The Rezai's are keeping pigeons on their terrace in Berlin. After having their doubts in the beginning, the five sons are also taking care of the birds. The relationship to the animals reflects their feelings on family and loyalty, and also reminds them of their own childhood and the migration from Afghanistan.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”
2024

2023

The war memorials of 1914-1918 have become so familiar that we no longer see them. They've become an invisible museum, blending into the landscape of France. Then, one fine day, a sculpture catches our eye. Another History appears, perhaps the most gigantic artistic project since the cathedrals...
2023

2023

Oral history project exploring the history of London's holiday campers. From the 1930s to the 1980s London’s workers increasingly visited holiday camps such as Pontins and Butlins, or run by trade unions and other social groups. It became a tradition for generations of families - a highlight of the year for all ages.
2023

A documentary about the sea and memory. Its movement is its form. Its strength.
2023

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.
2022

In a meditation on the meaning behind sports in a Post-Apartheid South Africa, three young girls muse on their hopes and dreams as aspiring Drum Majorettes.
2022

The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.
2018

In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.
2014

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
2005
With Nelson Mandela freed from prison, South Africa is changing fast - but big challenges lie ahead. In the township of Soweto children have taken charge of their schools, trading formal (albeit poorly-funded) education for incitement of rebellion against the injustices between the black and the white populations.
1990
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.


This is one the most fearless animals in the world, renowned for its ability to confront grown lions, castrate charging buffalo, and shrug off the toxic defenses of stinging bees, scorpions, and snakes. Our film will follow a team of researchers in South Africa who are searching for the truth behind the honey badger
2014

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
2013

A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".
1991

Air Jaws claims new turf in South Africa. Dr. Neil Hammershlag and Enrico Gennari follow with brand new technology: a "drone-towed" seal decoy to study and capture the harrowing and dramatic battles between shark and seal.

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.