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Sahel: Pátria ou Morte

For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.

2025

Melting Snow

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

2021

The Imperial Lullaby

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

2020

Gorillas of Gabon

A race is on to save Gabon’s Moukalaba-Doudou National Park and the silverback gorillas that call it home. Once, this area was protected by a thriving oil industry, but now, big companies are moving out and the logging industry is poised to move in. Ecotourism could be the only way to prevent the trees of this rainforest from coming down, but a team of conservationists needs to make the gorillas of Gabon tolerant of humans first. Follow them as they get up-close with the gorillas, study their moves, and journey to war-torn Central African Republic to learn the secrets of successful gorilla habituation.

2019

Disparitions autour du Kanga Pan

2019

Madatrek

Embark on a journey of discovery in Madagascar with Alexandre and Sonia Poussin, Philaé, 10 years old, and Ulysse, 7 years old, along with their quirky cart pulled by zebu. Their mission was multi-faceted: to produce a documentary series, raise funds for NGOs encountered along the way, open their children's eyes to the beauty but also the fragility of the island's endemic nature, and finally to live a life of long-term, joyful simplicity. Challenges of crossing, encounters, and lessons learned will always be present in this slow-paced alternative learning journey.

2018

Io sono nata viaggiando

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.

2013

Les États-Unis d'Afrique

2011

Papa Césaire

Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).

2009

Saving Africa's Witch Children

This shocking documentary reveals the plight of young Nigerians branded as witches.

2008

Der lange Weg ans Licht

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.

2008

White Man with Black Bread

Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.

2007

Si-Gueriki, Queen Mother

Si-Gueriki is the story of the confrontation of a young man with his history, his roots and culture.

2002

World of Wildlife: African Big Cats

Sir David Attenborough presents and narrates this wildlife series, a visual encyclopedia of the natural world. This episode looks at the fast, sleek and elegant cheetahs - supreme athletes and hunters of the animal world. Also the leopard, another deadly hunter, is observed in its natural habitat.

1995

Ôrí

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

1989

A Wife Among Wives

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.

1981

Costa Rica Banana Republic

This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.

1979

Potlatch...a strict law bids us dance

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

1975

The Pan-african Festival in Algiers

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

1969

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

1965