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Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.
Ekaterina Ryzhikova, Aleksandr Lugin, Mariya Ryzhikova, Irina Siliva, Marina Shkinyova, Pyotr Marchenko, Svetlana Krasnovskaya, Aleksey Veitsler, Alexandr Petlyura, Alexandr Zaldostanov, Sergey Troitskiy, Alla Sigalova

Follow the final three years of Ozzy Osbourne's life as he and Sharon plan a return home after 25 years in LA and prepare for the ultimate farewell gig.
2025

LOVEBITES, one of Japan's leading heavy metal bands, brings live footage. It contains the complete performance from "WE ARE THE RESURRECTION" held on March 11, 2023. In addition, it contains behind the scenes and the opening video narrated by Mikey Goodman of SikTh. Includes commentary by the members as sub-voice channel.
2023
2022

The film tells the story of Larisa Savitskaya, who survived after falling from a height of more than 5,000 meters as a result of a plane crash in 1981.
2021

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
2017

Celebrates the stories of eight female vocalists in the heavy metal genre. Through personal interviews, behind the scenes insights, and concert footage, these women describe in their own words, their choices, their lives, and the hardships and triumphs of being center stage in what is widely perceived as a male-dominated music scene.
2015

A look into the glory days of the Dutch (extreme) Metal scene.

Analysis of the impact of natural gas - more specifically, the Ukrainian and European dependence on Russian gas - on European politics in the wake of Euromaidan. Featuring interviews with high-level government officials, journalists and industry analysts from several countries, the film argues that a generation after its break from the USSR, Ukraine is independent in name only. To bring the country to its knees, all Russia has to do to is turn off the gas, as it did briefly in the winters of 2005 and 2009.
2014

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
2013

With the coveted glitter ball trophy once again up for grabs, how will series winner Chris Hollins fare against other celebrity favourites - including Austin Healey, Kelly Brook, Mark Ramprakash, Ali Bastian, and Natalie Cassidy? As they take to the stage alongside their professional partners including; Kristina Rihanoff, James and Ola Jordan, Brian Fortuna, Natalie Lowe and Ian Waite, in brand new breathtaking outfits and daring routines. They will need to impress judges; Len Goodman, Bruno Tonioli, Craig Revel Horwood and Arlene Philips. Who as always, are ready with quips, banter and razor-sharp observations!
2010

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
2007
This excellent and breathtaking documentary is the result of a long study on the Gulag to try to understand why more than 60 million Soviet citizens were sent to the camps from 1918 to 1956, how such a massive confinement could take place during two generations. From the Solovki in the north-west to the Kolima in Siberia, from Lenine to Kroutchev, a polar geography is erected into the Gulag system. One does not escape from camps. After ten years of imprisonment, one dies. Some survived, some left traces; they witness: organisation, work and discipline, but also resistance, repression and revolt.
2006

Documentary following the actors playing the role of Billy in Billy Elliot the Musical as they prepare for their West End debut.
2005

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
2005
Pina Bausch created and performed Café Müller for her dance company Tanztheater Wuppertal. The dance was inspired by and based on her childhood memories of watching her father work at his café in Germany during and immediately following World War II. In this silent style featurette, Bausch shows a restaurant after closing, in which the ghosts of the departed customers stumble blindly into walls and onto chairs but fail to find one another.
1985
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
1971

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
1971

Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
1971

One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.
1971

Bas Jan Ader rides his bike into a canal in Amsterdam.
1970