
An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.
2021

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
2017

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.
2016

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
2016

Documentary about four maffia-like friends based in Amsterdam.
2010

A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.
2010

Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
2007

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
2005

The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.
1993

This short film from canoeist Bill Mason illustrates the joy and poetry of paddling solo. All the basic strokes used to control the canoe are rendered with perfect clarity through animated lines. Part of 'Path of the Paddle: Quiet Water', in Bill Mason's Path of the Paddle Series.
1977

This short film from canoeist Bill Mason demonstrates the basic doubles paddling strokes and how to apply them in various combinations. The application of each stroke in rapids is shown briefly and the emphasis is always on working as a well-coordinated team. Part of 'Path of the Paddle: Quiet Water', in Bill Mason's Path of the Paddle Series.
1977

This short film from canoeist Bill Mason explains clearly how to locate a deep water channel by reading the rapids and how to apply paddling strokes and manoeuvres to steer the canoe where you want it to go. It also depicts what happens if you "wipe out" in a turbulent rapid and shows you how to survive the swim. Part of 'Path of the Paddle: Whitewater', in Bill Mason's Path of the Paddle Series.
1977

This short film from canoeist Bill Mason shows how to read the rapids and plan a course and follow it, with complete control of the boat, using the basic paddling strokes. Running rapids will always be a calculated risk, but risk diminishes with skill and knowledge. The strokes can be used in endless combination to reduce the risks of whitewater canoeing and increase the sheer joy and exuberance. Part of 'Path of the Paddle: Whitewater', in Bill Mason's Path of the Paddle Series.
1977
{ Auto-biography of all the video experience Gabriel had based on his childhood’s productions. }

Artistic experimental documentary short that explores the universe of Brazilian artist Lygia Clark. Sensorial experiences, the perception of the body, forms and tactile sensations are mixed and reflect the human race as part of the cosmos, getting lost to find itself. Art, stripped of its virtuous image, as an action of the common human being, the expression of living things, runs from the mechanical repetition of movements and attitudes.
1973

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
1971

Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
1970

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.
1965

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
1964

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
1888