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A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
Steven Jay Rubin, Tony Curtis, Howard Suber, Billy Wilder, Curtis Hanson, Jack Lemmon, I. A. L. Diamond, Barbara Diamond, Walter Mirisch, Hugh Hefner, Marilyn Monroe

Behind the scenes documentary short for the movie "Christopher Robin".
2018

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
2014

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
2013

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).
2010

A documentary about the making of Jean-Pierre Melville's 1949 film "Le silence de la mer"
2010

Documentary about the life and career of French director Henri-Georges Clouzot.
2004

This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003

Documentary about Italian film screenwriter Cesare Zavattini
2003
2001

Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.
2001

Documentary about the life and career of Italian film director Vittorio De Sica.
2001

A documentary about making The Remains of the Day.
2001

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
1997

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.
1993

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
1985
The first part of this series by Norman McLaren deals only with tempo. It starts by showing the disc travelling in one move (1/24 of a second) from A to B, and progressively demonstrates slower and slower tempos.
1976

In 1966, German film critic Theodor Kotulla — who would go on to become one of the New German Cinema's most uncompromising filmmakers — visited the set of Robert Bresson's "Mouchette" (1967) and created this half-hour documentary about the director. It won the 1967 German Film Award for best short documentary.
1967

A 1965 episode of the French television program Cinéastes de notre temps, featuring interviews with many of film director Max Ophuls’s collaborators
1965

A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
1965

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895