In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.
Ladislava Nováková, Petr Trnka, Helga Čočková

An extroverted, cheerful, dreamer, Rosetta was raised in the “Traveling Circus of Pitibiribas”. From a very young age, she dreamed of following her parents' profession and become a circus clown, but when offered the opportunity to perform in public for the first time, she gets nervous and gets her number wrong. Consumed with the feeling of failure, she runs away before she could fulfill her dream
2025

Daniel seeks catharsis by recalling with Sofía his past relationship.
2023

After going through a hiring process for a company based on São Paulo, Daniel, that came from another city, now needs to deliver them some important documents. However, he is blocked from the entrance because he is wearing shorts.
2018

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
2017

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.
2014
The story of two sisters from the Slovak-Hungarian border who, after a long separation, reveal the common moments of their complicated childhood. They return to a bleak landscape and an abandoned hotel, forced to deal with urgent questions of responsibility towards themselves and their loved ones.
2011
Between a man and his lover lies a wall, between the man and the country he loves lies another wall. Can a one-sided dialouge breaks the walls and expresses the man’s feelings and sentiments? Or does the lover or the country wants the wall to be broken in the first place? This short was inspired by Amy Len’s dance choreography “Wall” and colloborated with Loh Bok Lai. The dance was originally choreographed for a performance in Japan Dance Wave Fukuoka ‘06 - Asian Contemporary Dance Now and later made into an experimental video combining elements of an actor and monologue. The video footages were also used for the dance piece itself in KL.
2004
“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas
2004

An experimental, no-dialogue short in which a man comes literally out of a closet, only to be held in bondage by a woman. She finally puts him back into the closet.
2001
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
2000

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
1999
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.
1998

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.
1989

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
1989

Dialogue-free short detailing the daily tasks of a man and his wife.
1976

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
1967

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
1966

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
1964
A feature length autobiographical film showcasing the life story of Melody Contreras-Williams, famed Lyric Video Creator, Artist, and DJ.

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
1963