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The Philip Experiment

Inspired by an experiment from 1972, a team of paranormal researchers led by an unscrupulous documentary filmmaker try to summon the ghost of a fictional character.

2026

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

2025

The Tree House

In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.

2019

Capturar (Las 1001 novias)

2017

My Heart Is an Octopus or My Father on the Shore of the Black Sea

A middle-aged man returns to a fictional country in the Balkans to make a documentary about his father, a well-known artist. The son’s own artistic endeavours have never received attention to the level he feels they deserve. Consequently he has struggled to find a meaningful place in society and his personal life is chaos.

2017

Silvered Water

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

2014

Magma (C)

Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.

2014

Letter in Motion to Gilles Jacob and Thierry Fremaux

Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.

2014

White Sands

White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.

2014

His Name Was Jason: 30 Years of Friday the 13th

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

2010

Spirit House

A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.

2008

Faces of Death VI

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

1996

Faces of Death V

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

1995

Robert Breer At Home

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

1992

Tribulation 99: Alien Anomalies Under America

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.

1991

Faces of Death IV

Contains more than 50 separate scenes of blood-chilling horror, none of which have ever been seen by the public, depicting a cremation, an electrocution, a terrorist destroyed by his own bomb, the massacre of a Columbian wedding party, the drawing and quartering of a Russian peasant and a man-eating tiger turning on its trainer.

1990

Faces of Death III

Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.

1985

Faces of Death II

A face-to-face confrontation with Guerrilla death squads in El Salvador, napalm bombings in Vietnam, the drugging of a monkey, a dolphin slaughter, a train disaster in India, Cambodian lepers, a death museum, a driver high on PCP and a boxer going down for his “final” count.

1981

Faces of Death

What question has plagued mankind more than the mystery—and terror—of death? This forbidden pursuit has driven Dr. Frances B. Gröss to the brink of madness, but in his obsession, he has amassed a uniquely comprehensive collection of films that depict life in its final, grueling moments. From the savagery of cold-blooded murder to the perverse realities of war, tragic accidents, and the everyday lives of those who collect, dissect, and bury the dead, this descent into morbidity lays bare a truth that all of us will one day face.

1978

Rytmus

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

1942