Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.
Marie Louise Alemann, Juan José Mugni

A woman plays with three creatures in a mysterious world. As she breathes life into them, they feed on her life essence. What began as a game transforms into a total surrender, where each being she creates drains her elixir, leaving her with a rush of pleasure in return.
2025

A visual poem shot on Super 8 through the streets and shops of Amsterdam.
2025

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.
2025

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
2024

A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).
2022

Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.
2021

Peronoise is a being who tells us a story, who proposes the senses as currency instead of using Argencard or Mastercard, who presents and provides emancipation as a path, who establishes a Ministry of Hearing, who announces that we can dance, that it's a party!, whose enemy is Dr. Mutantis, the white male patriarch of holy causes from the Austro-Hungarian suburbs.
2020

A negative film in black and white, inspired by Focault's text Utopian Body.
2016

Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.
2014

It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.
2013

The hands of Narcisa Hirsch, a nonagenarian, open another Super 8 film cartridge to load a camera. In what seems like a ritual of passing on a legacy, the grandmother and her grandson, Tomás Rautenstrauch, watch a film of a meadow that gradually fills the frame.

It looks like it's going to rain. Yes, no doubt about it. Let's ask the horizon... over there, behind us, where the sun sets. The sun in the city hides in the concrete. The sun in nature, like consciousness, dwells in the darkness of our complex being. There will be no perpetual peace on earth or in heaven. To sleep in peace, to rise at dawn.

A journey into the bodily emotions conveyed by nature. Contemplation in dialogue with intimacy and vastness. Projected on Super 8 film with three projectors.

A young filmmaker undertakes the task of filming and editing a movie in Super 8 millimeter format.

Urban symphonies are a genre within experimental and documentary cinema: architectural recordings, everyday actions, travel diaries. This film-performance shares scenes of Los Angeles filmed in 2022. Geometric forms, human movement, glazes, reflections, the interplay of filters, and the transition from black and white to color expand the image, opening multiple windows. A pulse-pounding depiction of this great metropolis.

EHHHH! is a Super 8 film edited in-camera and projected with a tape delay from two projectors onto a screen, which travels through the parking signs of Buenos Aires, where the letter E dialogues with a sound composition / phonetic poetry of voices saying "eh", a typical Argentine filler word
2012

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"
2004

Analía and Andrés are neighbors but barely know each other. On the night of December 31, 1999, both are forced, for different reasons, to spend New Year's Eve alone.
2003

A woman returns, after a long time, to an empty house to confront her memories.
2003

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.
1987