Watch Harawi (2022) Online Free
A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).
Cast
Rachael Wilson
More Like This
Unearthly
Two brothers move silently through the mundane world, carrying an unseen offering of light. As they journey from place to place, dancing and observing, subtle traces of change begin to appear, revealing how quiet presence can shift everything.
2026
Green Bay
Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.
2025
o céu diante dos meus olhos nunca é cinza
2025
My Magic Flute
A cinematic experiment inspired by Wolfgang Amadeus Mozart’s music.
2025
The Bek Show: End of Civilization
The versatile artist, BEK Hyunjin ventures into theater direction, leaving the actors in a state of confusion. His unconventional direction unfolds into strange scenes on stage. Scenes of people howling, a woman's monologue, another woman lip-syncing a song appear in random order, and BEK Hyunjin himself appears on stage as a primitive man, a singer and a narrator.
2024
A Day In LC
A person living in Liberty City goes to work, have some food & gets back home.
2024
6EQUJ5
An abstract short film about an alien invasion.
2024
The Hanging City
Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?
2023
Kewaaj
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.
2023
Theophany
a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.
2023
Demasked
A short stream of consciousness of a man who is drinking Absinthe to blur the lines between dominant and submissive identity.
2022
Atlas
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
2022
Keratin
Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.
2021
dei notturni splendori
“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.
2021
Aznavour by Charles
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
2019
FUCK TV
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
2019
The Action Art Of Hermann Nitsch From Past To Present
Actions 1962–2003 (1 DVD-PAL) plus a CD containing recordings from the Burgtheater performance 2005. Hand-numbered first edition of 1000 copies. The packaging consists of a slip lid box with banderole, containing an 80 page book with photos and texts. On the DVD there is a 4-hour overview of all "Actions" of 1962–2003, as well as an interview from 2005. The 80-page book (German/English) with a text by Florian Schreiner and numerous photos explains the theoretical basis of Nitsch’s work. The CD contains recordings of the 122nd "Action" from the castle theatre Vienna (Burgtheater).
2006
I'M NOT A PERSON
A class project by transgender multimedia artist/dog Natalie Pit. Features the band Cherry Pit performing the second half of their song "I AM NOT A PERSON", set against unlicensed footage from other trans filmmakers, including the likes of Lex Walton, Louise Weard, Cate Wurtz, Jane Schoenbrun and Lily Alexandre.
1/2 Man
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
1986
All Souls Carnival
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
1957