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Mismantler
A dark, stream of consciousness fever dream, gathering all that is decrepit in this world, and reflecting it all back to those who have reduced the Earth to what it is.
2025
The palindrome woman
Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.
2022
Wilderness
A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.
2022
Casual Workers
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
2020
The Journey of Eva's Unspoken Words
Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition. She feels absent, and her frivolous glance catalogs each one of the small details of the journey that imprisons her every day. Her apathetic state is interrupted when she crosses an object outside the street and Eva is forced to finally face her demons.
2019
What Was It Supposed to Be Like?
Rather pointless, rather stilted, fetid; not what we want us going after.
2017
Remind Me Why I Came Here
It's time the times met each other over & over.
2017
Ruminative Meditations
Say Om as you reach home only to realize you never really left/stopped saying Om.
2017
This Must Be My Face
10 minute experimental film. Warning: this video involves frequent strobing.
2017
Memory Vague
Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.
2009
Above the Lake
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.
1995
38/79: Sentimental Punk
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
1979
Dyketactics
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.
1974
The First Murder
Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.
1972
Dropout
Disillusioned English banker's wife Mary meets troubled Italian immigrant Bruno, with whom she is captivated by and they set off on a voyage on which they meet a variety of society's dropouts.
1970
The Howl
A young bride flees the ceremony with a stranger and, together, they set off on an epic journey though increasingly bizarre lands. They encounter talking animals and mournful exhibitionists, converse with a discoursing rock, journey through a surrealist's psychedelic hotel, instigate a prison riot, escape from naked cannibals living in a tree, and battle a wind-up midget dictator!
1970
The Illiac Passion
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
1967
Memoria
Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.
Dreams That Money Can Buy
An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.
1947
Meshes of the Afternoon
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
1943