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Nima Yooshij (Iranian poet) for his son’s 1st birthday. He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”

In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.
2025

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.
2025

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.
2025

The Australian Chamber Orchestra has always forged its own path. With Artistic Director and violinist Richard Tognetti at the helm, the ACO has been producing films for over a decade, from their award-winning collaborations with BAFTA-nominated director Jennifer Peedom (‘Mountain’, ‘River’) to their acclaimed series of cinematic music films, ‘ACO StudioCasts’. Directed by Matisse Ruby, ‘The Four Seasons’ film release is the latest from this ground-breaking, world-renowned ensemble. Arguably the most popular and recognisable piece of classical music ever written, this performance directed by Richard Tognetti, highlights the profound symbiosis between Vivaldi’s Venice and the Middle East. Interspersing Vivaldi’s masterpiece with music by Australian-Egyptian composer and Oud virtuoso Joseph Tawardros, the film honours Vivaldi’s classic while giving it new life. A must-see for music lovers and cinephiles alike.
2025

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors
2024

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
2024

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
2024

The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.
2023

Living in forests untouched by man, these gracious and mysterious fairies use their magical powers to send blessings upon Earth. Do not take their kindness for granted. Especially on the night when the sky opens.
2023

2023

A young boy creates a make believe world to escape his truth, a world where, at the water's edge, beneath the shade of an ancient tree, a mother forms a perimeter to protect herself and her child from an unspeakable darkness.
2023

In an evicted apartment, a ghost-like presence remembers its luminous past and its progression towards its current state of decay. It yearns to be what it once was.
2022

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
2021

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
2020

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
2019

DELETE is a short experimental film about inventing a language that can erase other languages, memories, identities and digital traces.
2013

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
2008

Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likened to poetry. Brakhage explains his techniques and his motivation.
1985

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
1975

New York City's Monterey is a residence hotel, whose inhabitants are older and primarily live alone. The camera, usually stationery, observes the lobby. No score, the lobby is clean with granite floors, men wear hats, people enter and exit an elevator, the camera looks out from within the elevator as doors open and close. People sit alone and motionless in their apartments. There are long shots of empty halls. Paint peels. The flooring on upper levels is linoleum. Hall lights are florescent. Doors open a crack then close.
1973