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Fake: Searching for Truth in the Age of Misinformation
A new, original documentary from Connecticut Public, Fake: Searching for Truth in the Age of Misinformation, takes on this topic, just in time for the 2020 election season. Viewers will learn how and why misinformation spreads, and how to be a smarter information consumer in our increasingly digital world.
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Nothing to Hide
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1997: The Birth of the Camera Phone
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Cyborgs Among Us
In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.
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Harvest
Jenni has an ordinary life of simple patterns revolving around family and work. Her daily routine is seemingly unremarkable yet is of great interest to someone she doesn’t know—but who knows everything about her. Harvest is a thrilling and inventive depiction of the hidden value in mundane routines.
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Lost Button
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The Rise and Rise of Bitcoin
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Revolution OS
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I Want More
This lurid documentary offers a revealing expose of various deviant activities being practiced in that seething hotbed of sin and hedonism known as Los Angeles. Among the subjects shown herein are a young couple who are paid to have sex in front of leering voyeurs, a gang of rowdy bikers, a French artist who makes fancy designs out of women's pubic hair, a wild swinging Hollywood party, and an exclusive club of wealthy perverts.
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Love Meetings
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
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