In 1976 Spain abandoned its last colony, the Western Sahara, in the hands of Morocco. Since then, the Saharawi people have been divided between those who stayed on their land and those who fled the Moroccan persecution. Those who escaped survive in the desert, in extreme conditions and in the face of the helplessness of the international community. This film, directed by the journalist Helena Villar, was recorded on the occasion of the 40th anniversary of the Sahrawi resistance and is dedicated to the struggle of the tens of thousands of inhabitants of the Western Sahara

Marta Cardoso, a young dancer from northern Portugal, moves through Lisbon with restless energy, between precarious routines, affections, and a daily life in constant imbalance. Dance becomes her refuge and her cry: a space where the body finds freedom and instinct, and where gesture replaces words. When dancing, she feels close to her inner animal.
2025

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
2025

Today in France, one in five young people suffers from severe depressive symptoms, and the number of minors visiting psychiatric emergency rooms has tripled in the last five years. Despite the political will that has been demonstrated, child psychiatry is nevertheless faced with a severe lack of resources. The interminable waiting times for treatment are causing a surge in prescriptions for psychotropic drugs.
2025

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
2025

Overlooking the sea, two young men contemplate what is beyond the horizon as their friends and family leave for the allure of a new life.
2025

The Wonder Commission is a new music commission of The Well, composed by Dr. Brian Raphael Nabors and performed by the Antigone Music Collective. Inspiration for the new music emerges from Nabors' conversation with writer, physicist, and professor at MIT, Alan Lightman. The music also integrates the voices of youth from UpSpring's Summer 360 camp for unhoused youth and their questions about science, wonder, and hope.
2024

2024

On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
2022

Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.
2021

In the depths of the Algerian desert the Sahrawi people have been dwelling in the refugee camps for over 40 years. Camps gradually turned into settlements, named after towns in their homeland Western Sahara. One of them is called El Aaiún.
2020

Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
2019

2019

The Saharawi women face the thirst of the hamada, the curse of the desert, every day. They’ve built their refuge in a land where no one could survive before. For more than forty years they’ve been holding out and taking care of their people there. They ensure every drop of water is distributed according to the needs of each family … and they wait. But there’s an even more terrible thirst in their throats, for which they find no relief.
2019

This is a story about women who are fighters, tenacious, hopeful, active women…who were capable of lifting, from nothingness, in the harshest landscape of the world, life. They are the Sahrawi women. 40 years ago, they were forced into exile; the men of this region, marched to war and the women created “temporary cities”: The Refugee Camps. They invented a new day to day life which made possible a sustainable existence and a hope, of one day returning home. Coría every night dreams of the sea; the majestic image of its water, the sound of its waves, are the echoes that join the people with their homeland. The will beats in the hearts of the Sahrawi women who maintain their unbreakable spirit, ever moving forward.
2014

In May 2005, after 30 years of Moroccan occupation, Saharawi students initiated a series of peaceful demonstrations demanding their right to the United Nations-mandated referendum on Western Saharan independence. The Moroccan authorities responded with a brutal campaign of repression, detaining and torturing human rights activists as well as Saharawi students and children as young as eight years old.
2007
A documentary about a night café called Walkers, its workers and the youth – largely immigrants – populating the café during the night.
1999

Lalia is a Saharaui girl who lives in a refugee camp in Algiers. She has only heard her grandmother and grandfather talk about her country, about the Sahara, that was taken away by Morroco. She dreams of one day seeing the ocean, seeing her real country. The reality she lives in is different... the uncertainty of the refugee camps, the political unbalance... but she is strong... and she knows that there can be change... she won't stop dreaming, and she won't stop longing..
1999

Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.
1991

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
1974

This film, with an autobiographical flavor, was shot in part on the very premises where Father Proulx grew up and highlights the importance of agriculture and the very special attention given to rural youth in the from the Government of Quebec. The farm and its little world are presented during the four seasons: the introduction of children to agricultural work, the holidays, the return to school. From November to the end of April, the older ones take courses in the various agricultural schools scattered across Quebec. In addition to studying the methods of cultivation and breeding, they receive notions of carpentry, blacksmithing and other lessons likely to be useful in their future work as farmers. In the spring, the young girls go to secondary schools of agriculture to learn domestic art, beekeeping, weaving, sewing, etc.
1951