
2025

Attracting 140,000 fans over two days (April 27–28, 2024), “Shinzou” was a legendary performance that established Ado the first solo female artist to perform at the iconic Japan National Stadium. The setlist featured 26 songs including her on-stage duet of “Sakura Biyori and Time Machine (with Hatsune Miku),” the highly acclaimed “DIGNITY” featuring guest guitarist Tak Matsumoto (from B’z), and “Show,” a collaboration song with Universal Studios Japan. The theatrical release promises a fresh and immersive experience for fans who missed the live event or want to relive the moment.
2025

During the two-day period of May 4-5, 2024, ZUTOMAYO (ずっと真夜中でいいのに。) held their "Authentic Chinese Teahouse · Pegasus of Love ~Robu's Spicy Dragon~" themed performances at Yokohama's K Arena, presenting special concerts that mobilized their largest-ever audience of 20,000 people.
2024
![Poster for Sawano Hiroyuki LIVE [nZk]008 @ NHK Hall](https://image.tmdb.org/t/p/w300/yQRS6f5ktnTphgb78rKB1AVvjvZ.jpg)
Sawano Hiroyuki LIVE [nZk]008 is a live concert film recorded on June 2, 2024, at NHK Hall in Tokyo. The performance showcases composer Sawano Hiroyuki’s [nZk] project, featuring vocalists Laco, Benjamin & mpi, Aimee Blackschleger, XAI, mizuki, SennaRin, and ASKA. The concert presents a wide-ranging setlist drawn from Sawano’s anime and original works, blending orchestral, electronic, and vocal-driven music, and concludes with a collaborative finale featuring all performers.
2024

2024

An intimate look at the life and work of renowned Japanese musician Yutaka Ozaki.
2023

Fairy Fantasia is the first Japanese fan meeting held by Kep1er. It was held on October 27 and 28, 2023 offline at Tokyo Garden Theater.
2023

King Gnu's first ever performance at Tokyo Dome, which marked the ultimate culmination of their 5 years since the start of the band. Over a two-day run, nearly 100,000 fans flocked to this show with a breathtaking live performance of 24 songs including their classic and the latest hits.
2023

Toshio and Shizuko Omiro, both over seventy years old, have lived in Kawasaki, Japan since 1981. With their free-spirited lifestyle, the improvisaton duo continues to pursue their vision of changing the world into a more peaceful one in an inappropriate and unseemly way.
2023

As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.
2022

Saitama Super Arena solo performance "ZUTOMAYO FACTORY 'Even if the falcon is hungry, don't forget to dance'". Held for 2 days in a row, not only is it the largest live performance held on two consecutive days, but it is also a solid band with a total of 18 people, such as familiar special instruments such as reel-to-reel, CRT TV, and fan, and pianist "Kei-chan" making a special appearance only on day 2. It was a conceptual performance like no other, with an analog stage set that made it clear that the two days had passed 100 years, and some changes to the music.
2022

Still Dreaming is TXT's first Japanese studio album. It was released on January 20, 2021. It was released with an accompanying DVD with the music video for the Japanese version of 'Blue Hour' and the making of the music video with interviews.
2021

Candidates who dream of becoming idols face a grueling survival camp with the current members of the idol group BiS!
2019

ONE OK ROCK with Orchestra Japan Tour 2018 features the final performance of the special concert held at Osaka-jo Hall in October 2018, where the band performed with a 53-member orchestra, alongside footage from the Saitama Super Arena show. The release also includes a 100-page booklet packed with newly shot member photos, commentary, live reports, and interviews with the production team, offering a deeply engaging read.
2019
Documentary of THE RAMPAGE from EXILE TRIBE's 2017~2018 live tour.
2018

BUCK-TICK's "CLIMAX TOGETHER" which was done on the same date, the same place in 1992, 2004, 2016 and 12 years cycle. It is a track of "BUCK - TICK" evolution that will continue to operate in major scenes from the dawn of Japanese rock industry. Death of familiar people, global terrorism, threat of nature. A deep bond and affection with fans who keep closing together no matter how many years passed. By sharing sorrows that never can resist and the joy that anyone can not take, a message was born and a song was born. The work now approaches the core of "CLIMAX TOGETHER" and "BUCK - TICK", by interviewing the members, and re - editing the images released as works until now as unpublished scenes, for 32 years since the formation It became a work that can recognize the growth and ties of the members who have been walking.
2017

μ's Final LoveLive! μ'sic Forever♪♪♪♪♪♪♪♪♪ was the farewell concert of the fictional idol group μ's from Love Live! School Idol Project, celebrating their career with emotional performances and marking the end of their activities.
2016

Live action documentary footage of a concert by the Kodo drummers of Japan at the Acropolis, Greece, in 1995, with commentary by members of the drum group concerning the concert and the drum troupe
1995

1992 VHS of Kuroyuri Shimai
1992
An independently produced documentary about growing up as a blind youth in 1960's Japan. It focuses on a group of elementary level students being taught by Mr. Kawai at the Zoshigaya Branch of Tokyo Educational University. Filmed over 12 years, the documentary tracks these student's lives up through their young adulthood. It follows the journey of one student in particular, Kiyoshi Hasegawa, a young boy who eventually learns a passion for music and wants to become a recording artist. Expanded from director Hideo Hamada's documentary short "But We Can Gaze!"
1969