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Toshio and Shizuko Omiro, both over seventy years old, have lived in Kawasaki, Japan since 1981. With their free-spirited lifestyle, the improvisaton duo continues to pursue their vision of changing the world into a more peaceful one in an inappropriate and unseemly way.
Shizuko Orimo, Toshio Orimo, Sabu Orimo

When young musicians come together to play classical music, they send out a strong signal to our today’s world. The film follows talented young Swiss musicians as they work, search for inspiration, but also expose their thought how to play nowadays the “old” Classical music.
2026

Attracting 140,000 fans over two days (April 27–28, 2024), “Shinzou” was a legendary performance that established Ado the first solo female artist to perform at the iconic Japan National Stadium. The setlist featured 26 songs including her on-stage duet of “Sakura Biyori and Time Machine (with Hatsune Miku),” the highly acclaimed “DIGNITY” featuring guest guitarist Tak Matsumoto (from B’z), and “Show,” a collaboration song with Universal Studios Japan. The theatrical release promises a fresh and immersive experience for fans who missed the live event or want to relive the moment.
2025

During the two-day period of May 4-5, 2024, ZUTOMAYO (ずっと真夜中でいいのに。) held their "Authentic Chinese Teahouse · Pegasus of Love ~Robu's Spicy Dragon~" themed performances at Yokohama's K Arena, presenting special concerts that mobilized their largest-ever audience of 20,000 people.
2024

An indie film crew throw caution to the wind when they attempt to shoot a completely improvised drama where the film's big twist is being kept secret from their lead actress, while also navigating on-set mishaps, bizarre twists of fate, and the first year of a global pandemic.
2024

An exploration of the individual components that make up a jazz improvisation, told in 13 parts.
2024

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.
2024

Five years into performing as renowned filmmaker George Lucas in the cult comedy show "The George Lucas Talk Show", comedian Connor Ratliff questions the need for its continuation and his own drive for success and fulfillment in show business.
2024

Fairy Fantasia is the first Japanese fan meeting held by Kep1er. It was held on October 27 and 28, 2023 offline at Tokyo Garden Theater.
2023

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.
2023

King Gnu's first ever performance at Tokyo Dome, which marked the ultimate culmination of their 5 years since the start of the band. Over a two-day run, nearly 100,000 fans flocked to this show with a breathtaking live performance of 24 songs including their classic and the latest hits.
2023

Still Dreaming is TXT's first Japanese studio album. It was released on January 20, 2021. It was released with an accompanying DVD with the music video for the Japanese version of 'Blue Hour' and the making of the music video with interviews.
2021

ONE OK ROCK with Orchestra Japan Tour 2018 features the final performance of the special concert held at Osaka-jo Hall in October 2018, where the band performed with a 53-member orchestra, alongside footage from the Saitama Super Arena show. The release also includes a 100-page booklet packed with newly shot member photos, commentary, live reports, and interviews with the production team, offering a deeply engaging read.
2019
Documentary of THE RAMPAGE from EXILE TRIBE's 2017~2018 live tour.
2018

μ's Final LoveLive! μ'sic Forever♪♪♪♪♪♪♪♪♪ was the farewell concert of the fictional idol group μ's from Love Live! School Idol Project, celebrating their career with emotional performances and marking the end of their activities.
2016

2014

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.
2013

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
2005

Live action documentary footage of a concert by the Kodo drummers of Japan at the Acropolis, Greece, in 1995, with commentary by members of the drum group concerning the concert and the drum troupe
1995
An independently produced documentary about growing up as a blind youth in 1960's Japan. It focuses on a group of elementary level students being taught by Mr. Kawai at the Zoshigaya Branch of Tokyo Educational University. Filmed over 12 years, the documentary tracks these student's lives up through their young adulthood. It follows the journey of one student in particular, Kiyoshi Hasegawa, a young boy who eventually learns a passion for music and wants to become a recording artist. Expanded from director Hideo Hamada's documentary short "But We Can Gaze!"
1969

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.
1966