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Closer to the animal

Marta Cardoso, a young dancer from northern Portugal, moves through Lisbon with restless energy, between precarious routines, affections, and a daily life in constant imbalance. Dance becomes her refuge and her cry: a space where the body finds freedom and instinct, and where gesture replaces words. When dancing, she feels close to her inner animal.

2025

Rocket Girl

Eleni is 16 and has just moved from California to Virginia, where she must adapt to a new school. This comes easily to her thanks to her intense passion, which she instills in her peers. She becomes president of the school's rocket club and aims to build the perfect model for a competition attended by hundreds of teams from across the United States.

2025

I Don’t Have the Codes

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

2025

Deadlock

Overlooking the sea, two young men contemplate what is beyond the horizon as their friends and family leave for the allure of a new life.

2025

Nous, Jeunesse(s) d'Iran

2024

Perspectiva (Versão da Diretora)

2023

Taken - Children of the State

On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.

2022

Comme une feuille au vent, Jasmin

Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.

2021

To See El Aaiún

In the depths of the Algerian desert the Sahrawi people have been dwelling in the refugee camps for over 40 years. Camps gradually turned into settlements, named after towns in their homeland Western Sahara. One of them is called El Aaiún.

2020

Hamada

Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.

2019

Une chance sur un million

2019

Laatash

The Saharawi women face the thirst of the hamada, the curse of the desert, every day. They’ve built their refuge in a land where no one could survive before. For more than forty years they’ve been holding out and taking care of their people there. They ensure every drop of water is distributed according to the needs of each family … and they wait. But there’s an even more terrible thirst in their throats, for which they find no relief.

2019

Journey to Saharawi – The Courage to Live for Freedom

In the stunning and starkly beautiful landscape of Western Sahara, Walter Bencini recounts his journey to meet the Saharawi people, uprooted from their lands for decades and confined to desert tent camps named after the Moroccan cities where they once lived. It's the solidarity journey of a group of people from Valdarno, delivering the money and medicines raised through various initiatives directly into the hands of the beneficiaries.

2010

Children of the clouds

In May 2005, after 30 years of Moroccan occupation, Saharawi students initiated a series of peaceful demonstrations demanding their right to the United Nations-mandated referendum on Western Saharan independence. The Moroccan authorities responded with a brutal campaign of repression, detaining and torturing human rights activists as well as Saharawi students and children as young as eight years old.

2007

Yökahvila Walkers

A documentary about a night café called Walkers, its workers and the youth – largely immigrants – populating the café during the night.

1999

Lalia

Lalia is a Saharaui girl who lives in a refugee camp in Algiers. She has only heard her grandmother and grandfather talk about her country, about the Sahara, that was taken away by Morroco. She dreams of one day seeing the ocean, seeing her real country. The reality she lives in is different... the uncertainty of the refugee camps, the political unbalance... but she is strong... and she knows that there can be change... she won't stop dreaming, and she won't stop longing..

1999

What's Wrong With This Picture?

Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.

1991

Winter of a slacker

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

1974

Open Doors

ENERC, a historic public film school in Argentina, is facing serious difficulties due to the government's current economic and cultural policies. Despite the uncertainty, its students continue to attend classes.

Rural Youth

This film, with an autobiographical flavor, was shot in part on the very premises where Father Proulx grew up and highlights the importance of agriculture and the very special attention given to rural youth in the from the Government of Quebec. The farm and its little world are presented during the four seasons: the introduction of children to agricultural work, the holidays, the return to school. From November to the end of April, the older ones take courses in the various agricultural schools scattered across Quebec. In addition to studying the methods of cultivation and breeding, they receive notions of carpentry, blacksmithing and other lessons likely to be useful in their future work as farmers. In the spring, the young girls go to secondary schools of agriculture to learn domestic art, beekeeping, weaving, sewing, etc.

1951