Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.
Ray Kappe

2024

Loïe Fuller, stage name of Marie Louise Fuller: the American actress and dancer trained in burlesque, circuses and variety shows who, in the 1890s, signed by the Folies Bergère of Paris, became a star. She was portrayed by Toulouse-Lautrec, loved by the symbolists, the inspiration for Art Nouveau, in her shows she combined dance, spirals of fabric and light, reflected from behind or from below through the glass floor that she had created. She transformed into the "Fairy of Light", was taken up (especially in her Serpentine Dance) by Georges Méliès and Alice Guy and influenced René Clair's early films.
2023

A photographer explores the seldom noticed architecture in his home town.
2022

2022

The life of a couple is observed through the home they have left behind.
2022

The film arose from an encounter with Mario Botta during the 2013 Architecture and Memory exhibit held at the Charlotte, North Carolina Bechtler Museum of Modern Art which was designed by the architect. The exhibit gathered and then proposed to the public the Swiss architect’s most significant projects spanning the gamut from his first single-family homes, original expressions of the School of Ticino, to his large public buildings, libraries, theatres, museums, churches and synagogues which have been built across the globe and features more than 90 works. The film is a dialogue on the themes which characterize Mario Botta’s vision and practice: his relationship with history and the territory, the designing of collective spaces, encounters with the leading protagonists of the 20th century. The interview, conducted in Mario Botta’s studio in Mendrisio, is replete with photographic materials, designs and sketches which document his “spaces of memory”.
2020

Commissioned by MK Gallery, this film combines contemporary footage of public artworks in Milton Keynes with archive footage from the Open University, cartoons from the Milton Keynes Development Corporation's internal newspaper and accounts from early residents, juxtaposing several perspectives on England's most ambitious 'new town'.
2019

One week in the extraordinary-ordinary life of Mr. Moriyama, a Japanese art, architecture and music enlighted amateur who lives in one of the most famous contemporary Japanese architecture, the Moriyama house, built in Tokyo in 2005 by Pritzker-prize winner Ryue Nishizawa (SANAA). Introduced in the intimacy of this experimental microcosm which redefines completely the common sense of domestic life, Ila Bêka recounts in a very spontaneous and personal way the unique personality of the owner: a urban hermit living in a small archipelago of peace and contemplation in the heart of Tokyo. From noise music to experimental movies, the film let us enter into the ramification of the Mr. Moriyama's free spirit. Moriyama-San, the first film about noise music, acrobatic reading, silent movies, fireworks and Japanese architecture!
2017

Finding their place between the forest and the sea, the Japanese have always felt awe and gratitude toward Nature. Since ancient times, they have negotiated their own unique relationship with their natural surroundings. Acclaimed photographer Masa-aki Miyazawa discovered the essence of that ancient way of living in Ise Jingu, Japan’s holiest Shinto shrine. Inspired by the idea of sending a message to the future in the same way this ancient shrine keeps alive the traditions of the past, Miyazawa used an ultra-high resolution 4K camera to create a breathtaking visual journey linking the Ise forest with other forests throughout Japan.
2014
Narrated by Queen Latifah, this documentary follows Elsie, a black Labrador mix, and her struggled to raise her puppies on the streets of Los Angeles.
2013

The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.
2013

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.
2012

In 1959, a government employee named Richard Oyler, living in the tiny desert town of Lone Pine, California, asked world-famous modern architect Richard Neutra to design his modest family home. To Oyler's surprise, Neutra agreed. Thus began an unlikely friendship that led to the design and construction of an iconic mid-century modern masterpiece.
2012

Footage of Devil's Gate Dam insterspersed with text occultist text by Jack Parsons, co-founder of the Jet Propulsion Laboratory, who some believe opened a portal for dark energy nearby.
2011
2008

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
2001

The camera goes back through the alleys and alleys of the community, leading the viewer to compare, with simultaneous shots of 76 and 96, the little or almost nothing that was accomplished, the neglect of the State, the abandonment over the 20 years. Finishing with a virtual image of the colored facades, as part of the proposed urbanization.
1996

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968

Making a documentary on Le Corbusier is not easy, because he is undoubtedly the architect most familiar to the general public but also the most unknown. If most people know his great achievements, such as the Cité radieuse of Marseille, the pavilions of the Cité universitaire de Paris or the Tourettes convent, many are unaware of his works in Moscow, Rio de Janeiro or Chandigarh. Roy Oppenheim pays a vibrant tribute to Corbusier, dismissing the criticisms and darker facets of the character. It presents the career of this pioneering architect, as well as his thinking, the essential principle of which was aimed at the development of human beings and the balance of society. Light, space and greenery are integrated into his large futuristic cities, because according to him the eyes of the inhabitants should be drawn into the distance and not into their neighbor's bathroom.
1967
Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.
1958