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What it’s made of was produced for the Dutch customs laboratory (douane lab) in Sloterdijk over a period of 4 months. In this dual-channel film installation the viewer can watch the Dutch Customs Laboratory take shape in front of their eyes. Observing this process of the laboratory and its machines slowly being formed, attention is drawn to the shapes and forms that make up the laboratory and its machines.
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Transfragmentation
After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.
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A military scientist successfully creates robot soldiers in the shape of crabs, which turn out to be deadly warriors, but soon he discovers that his ambitious invention evolves in unexpected ways.
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