
From Scotland to Ecuador, passing through Canada, Spain and Angola, 21 young Cubans who grew up in 9 countries outside the island tell their experiences of adaptation living between two cultures and the survival of the Cuban identity despite their stories of familial rupture and alienation.
2024

A mix of Rock and Roll and Blues are the secret for successful rebellion. When I took my camera to the middle of France where the GM&S factory was threatened by a permanent shut down, I felt like something extraordinary was about to take place. And it did. The lyrics were written by workers who have had enough! The tune was composed by people not afraid to go against even the rules of revolt! The volume was loud enough to attract the media. Their working-class concert spread across France like wild fire. I sat out of sight, camera in hand, filming like catching fish in a barrel.
2019

David Gelb (Jiro Dreams of Sushi) tackles another venerable, beloved, and long-standing institution: the Mustang, crown jewel of the Ford fleet. Only this institution is in turmoil. As the fiftieth anniversary of the Mustang approaches and the car industry struggles through the deepest trough of the financial crisis, Ford launches a redesign. Now the jobs of workers at Ford’s Flat Rock Assembly Plant, the expectations of the thousands of Mustang devotees, and the livelihood of the city of Detroit are all placed squarely on the shoulders of Dave Pericak. As chief program engineer, he will guide the 2015 Mustang from assembly floor to showroom—if only he can get that vibration out of the steering wheel.
2015

2014

Youths from inner-city Denver find respite from their violent neighborhoods through the sport of lacrosse, and learn the value of teamwork and camaraderie.
2010

Films beget films. Filmmakers influence other filmmakers constantly. But the most influential filmmaker of all time is Alfred Hitchcock.
2008

A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.
2006

High Performance Imports checks out Tokyo Auto Salon 2002, tours Mine's factory and demonstrates drift action from Mitsui Mike plus an update on the HPI project car tuning.
2002

The Renault factory in Belgium must close down. Nobody can believe it. We follow the investigations by the director who is at the heart of the action and who interviews main politicians, the workers who violently protest and the direction. In the fiction part the president-director of Renault, Schweitzer is killed by one of the workers.
1999

This video is not your typical collection of music videos. Rather than being simply a straightforward presentation of videos, Single Video Theory also contains footage of the band members recording their album in the studio. The camera captures the actual recording sessions as well as the band members chatting candidly about their concept and ideas for the music. Directed by Mark Pellington and shot in 16mm over 3 days in 1997.
1998

Centering on the ABC Loan Co., a twenty-five year old pawnshop/checkcashing outlet, No Loans Today documents daily life in the African-American community of South Central Los Angeles in the aftermath of the 1992 riots.
1996

Documentary about Japanese film director Shohei Imamura.
1995
Laurel and Hardy were hailed as '...the greatest comedy duo of all time...'. Now, over half a century since their last film, 'Utopia', they are still held in high esteem by critics and the public alike. This programme is an affectionate look back at this amazing act's career, from their early black and white silent film days, through the Hal Roach era, to their hugely successful British tours and beyond. Generously laced with hilarious clips from the cream of Laurel and Hardy films, as well as original colour film footage from U.S. government promotional films, this programme also includes rare newsreel interviews, and chronicles their amazing success all around the world.
1990

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
1986

Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man's end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.
1978

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
1970

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
1970

Based on Geoffrey Fletcher’s book, this captivating documentary exposes the real London of the swinging sixties. Turning its back on familiar sights, the film explores the hidden details of a crumbling metropolis. With James Mason as our Guide, we are led on an tour of the weird and wonderful pockets of London from abandoned music-halls to egg breaking factories.
1968

An analysis of the social upheaval of May 1968, made in the immediate wake of the workers’ and students’ protests. The picture consists of two parts, each with with identical image tracks, and differing narration.
1968
Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive
1957