
In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album "The Future Sound of Slovakia Vol.1" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere. "Medzi scénami, medzi hlasmi" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.
2026

On America’s 250th anniversary, with attacks on libraries, archives, universities, and commemorative landmarks, the story of a nation’s history hangs in the balance. MONUMENT asks how looking and listening to one’s personal environment can help us understand our foundations. MONUMENT is centered on the history of Rhode Island, weaving statues, plaques, and place names together with the routine movements of everyday life.
2026

This J.G. Ballard documentary assembles decades of interviews and archival material to paint a striking portrait of one of the most imaginative and provocative writers of the 20th century.
2026

Formerly incarcerated writer Marvin Wade speaks personally about his 25 years in prison and the positive transformation he achieved in spite of, not because of, the criminal legal system around him.
2025

In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.
2025

Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
2023

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.
2023

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
2023

In the meadow, the boundaries between reality and fiction become almost imperceptible. "Pradera" is a photo essay that explores the themes of loneliness in adulthood and human mortality through photographs and videos of miniatures.
2023

Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.
2022

A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.
2022

Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
2020

Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
2019

Kogonada looks at how the motif of doors reverberates through Robert Bresson's work.
2017

Filmmaker Kogonada unpicks what defines the Golden Age of Italian cinema with a side-by-side comparison of two edits of the same film, one according to Italian director Vittorio De Sica, and the other according to Hollywood producer David O. Selznick.
2017

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
2014

A film-maker travels through mountain villages and along the shores of Alpine lakes to investigate the disappearance of Valérie 20 years earlier. She allegedly murdered a Canadian tourist before disappearing without a trace. At least that is how the narrator, who was passing through the region at the time, remembers the story. Over the course of the interviews, the elusive Valérie seems to disappear a second time, literally engulfed by the Alpine landscape, magnificently captured on film by François Caillat. A haunting, imposing landscape, where chasms and precipices become metaphors, characters in a work of fiction that the camera turns into a documentary. A film in the form of an essay in which the director takes his work on memory to its highest degree of abstraction.
2004

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.
1979

The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
1960

The creation of the atomic bomb did not only unleash a destructive force—it transformed the imagination of the nation that made it, haunting its collective mind and giving rise to dreams and nightmares. PARANOIA CITY is a feature-length (54min) archival essay film exploring the Atomic Age through nuclear test footage, government civil defence films, Cold War propaganda, and 1950s science fiction cinema.