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Autobiography of My Diabetes
After the making of my previous film (PLAY DEAD!), some unfinished business remained on my desktop. Home movies and various body horror films from my childhood cluttered my computer screen. Part medical treatise, part self-anamnesis, and a mashup tinged with nostalgia, this video essay returns the images emanating from my computer screen to the everyday gaze of a diabetic.
2025
The one that erodes
Maxence, 18, suffers from Cushing's syndrome. This growth disorder has prevented him from reaching puberty, leaving him trapped in a foreign body: that of a 15-year-old. Frozen, unchanging. This is the story of a slow and imperceptible melt. It is the search for a body that belongs to him.
2025
Hidden Master: The Legacy of George Platt Lynes
An intimate look at pioneering artist George Platt Lynes, who took radically explicit photographs of the male nude. The documentary reveals Lynes’ gifted eye for the male form, his long-term friendships with Gertrude Stein and Alfred Kinsey, and his lasting influence as one of the first openly gay American artists.
2024
Un cuerpo para muchas yo
Losing control of my body due to dysphoria and what society has taught me is the greatest loss I’ve ever experienced. A silent loss, a discreet theft. Now I sit in front of it, trying to seduce it, listen to it, feel it, look at it, touch it, move it, live it. I discover that this mutating body houses all my versions.
2024
Appendix
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
2024
Girls’ Stories
Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.
2023
Heart Berry
A lyrical film ode to the odehimin or heart berry. A two-spirit Anishnaabe person finds themself in a dark place with their body. They undertake a healing journey, stating aloud their intentions and reconnecting with the land and the water for strength. As they get more in touch with their body and the beings around them, we begin to see them heal.
2021
Casual Workers
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
2020
Dust
The film follows the journey of the body and belongings of a recently deceased lonely person.
2018
Rodez
An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
2017
My Body, My Rules
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.
2017
Blue Movie
C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
2014
The Body Machine
The Body Machine is a landmark special on the human body that shows us just how much, how many, how large, how strong, how fast - just how amazing the body really is. Utilizing impressive large-scale real-life stunts, CGI and strong character stories, the show makes the staggering scale of the inner workings of the body tangible. We will show you how far our blood travels in just one day - an astounding 19, 000 km - from Quebec City to Buenos Aires and back. You will see all the cranial fluid you produce in your lifetime laid out in front of you - all 26,280 pint glasses worth. And in just one day you will take 23,000 breaths - enough air to fill 7,714 helium balloons. You will see all this and much more.
2008
Naked on the Inside
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
2008
Speaking of Abstraction: A Universal Language
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
1999
13 figures de Sarah Beauchesne au 71, rue Blanche
1993
Garbage
This footage is almost entirely black, save for a few shots possibly showing electric poles outside.
1984
Landscape
Chicago streets.
1973
21-87
This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of "The Force."
1963
K3 - Clear Sky without Clouds
An abstract film, with which Pansini attempted "Malevichean" reduction. It is a blank, an empty film reel with coloristic and toned global changes, nothing more.
1963