This footage is almost entirely black, save for a few shots possibly showing electric poles outside.

2021

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
2020

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
2017

Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.
2016

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
2014

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
1999

JoAnn Elam plants collards.
1985

Elam films her close friend, Chuck Kleinhans.
1984

Contrasting environments, in and outside.
1984

Elam records several men moving boxes and furniture as they track across her backyard.
1981

An outdoor gathering.
1979

USPS workers go bowling.
1976

Farm work and nature.
1976

Chicago streets.
1973

An abstract film, with which Pansini attempted "Malevichean" reduction. It is a blank, an empty film reel with coloristic and toned global changes, nothing more.
1963
Register of the events which occurred between 9 and 15 April 1948 in Bogota as a result of the assassination of political leader Jorge Eliécer Gaitán
1948

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
1922

Elam's husband prepares vegetables at the sink.

Cleaning supplies and flames.

A covered bridge and the nature surrounding it.