Ñaalec (Fabián Valdez) is a Moqoit college student disenchanted with formal ways of learning and embarrassed by his drunken classmates. He seeks to recover his people's culture by learning from elders who still remember the old ways. Ñaalec travels to the Nanaicalo Nqote ("eye of the dragon"), a sacred lake whose water gave people the power of the gods. This docudrama is part of a series of community-created films supported by CEFREC (led by Iván Sanjinés, son of legendary Bolivian filmmaker Jorge Sanjinés).

Speed, emotion, dream. Smoke and Rubber follows the drivers of Istanbul who dedicate it all to modified car culture. Beyond the noise, it traces how speed, sound, and the performance of masculinity define a way of living, from the garage to the streets. Based on ongoing research, this is a reflective portrait of a noisy world.
2025

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.
2022

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.
2020

Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
2017
2014

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.
2010

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.
2008

A short film set in the mountainous province of Svaneti, documents the performance of polyphonic men’s funerary laments common to the region.
2007

This documentary looks at the stories of a few people in Aspen Colorado and how they contribute to the community.
2006

Film about the singing and dancing culture of the Ingush people
2006

2002

A documentary about the daily life of a native Tzotzil community in southern Mexico, shot over a period of eight years.
1992
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.
1987

The film tells two parallel stories. One, set in the present, tells of a pagent about the conquest of America, while the other, set in the 15th century, tells of a group of conquistadors coming ashore searching for gold. The film takes place in an unnamed country.
1986

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
1972

Short ethnographic documentray about Arba'een, a Shia Muslim religious observance
1970
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
1964

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
1957

Documentary footage of indigenous Pacific islanders.
1934

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
1911