La Cosa Nuestra is a journey to the most hidden and surreal face of the bovid-bullfighting universe. Fun and tremendous, operating in iconographic cannibalism. It is a work that shows another reading of the national holiday, demystifying it. Confronts the Spanish bullfighting culture with the visions and uses of the bull in other civilizations. This video creation immerses itself in the aesthetic, ritual and cultural universe of the world of bullfighting, rebuilding it critically, but at the same time with healthy irony.
Luis Gordo

A retired rodeo legend risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bullriding competition as the oldest contestant ever. Along the way, he reconciles old wounds with his estranged daughter and proves that true courage is found in the fight for family.
2025

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?
2024

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.
2020

Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.
2019

Two men share an odd friendship while they care for two women who are both in deep comas.
2002

Have you ever been to the bullfights in Tijuana? Larry Wessel's TAUROBOLIUM is not only cinema verite at it's best, Larry Wessel's TAUROBOLIUM is the best documentary on bullfighting ever made!
1994

Documentary on bullfighting by Spanish director Sonia Herman Dolz.
1993

Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.
1989

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
1986

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.
1984

Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.
1984

Like every night, Manuel remembers the old days of glory, when after the war he was a famous bullfighter. He and his friend Juan were the fashionable couple. Now Juan is a prominent businessman in bullfighting. But Manuel's feelings toward him have changed radically: an inexplicable hated seizes him when someone mentions his name. It has been more than twenty years since that afternoon, when Manuel was bullfighting and fell to the ground.
1969

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.
1966

The misadventures of a group of young people who seek a better life by becoming bullfighters, the only way to leave their poor existence in the slums of Barcelona.
1965

A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.
1957

A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.
1956

1948

Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.
1941

Currito, raised in a Seville hospice, ekes out a living while trying to become a bullfighter.
1926