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Amor
Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.
2025
Arthur Rimbaud : Six mois en enfer
2025
Cinemaker
Two children are directed by a cinemaker.
2024
(Olhei para a câmera)
2022
Maintenant et ici
An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.
2021
Aleph
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
2021
Skál
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
2021
Landscape dynamics
An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
2020
Laerte-se
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
2017
The Original Richard McMahan
The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.
2016
The Book of Conrad
About the poet C.A.Conrad, an eccentric Elvis worshiping poet and tarot card reader, who confronts his violent past and the suspicious death of his boyfriend, Earth. The film attempts to unravel the mystery of Earth's death, while Conrad wrestles with his inner demons through a series of unconventional rituals and a tour of the deep South.
2016
Philippe-Alain Michaud, le réel traversé par la fiction
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
2016
Destruction of the Berlin Wall
Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
2014
Fold Crumple Crush: The Art of El Anatsui
A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.
2010
Bomb It
Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
2007
Colours of Absence
The film documents the life and art of painter Jehangir Sabavala, capturing the intricate relationship between the artist’s vision and his environment. Khopkar describes the challenges of conveying Sabavala’s creative spirit through film, emphasizing the need to engage with the subtleties of colour, light, and composition.
1993
Mee
{ Auto-biography of all the video experience Gabriel had based on his childhood’s productions. }
yaya/ayat
yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.
The World of Lygia Clark
Artistic experimental documentary short that explores the universe of Brazilian artist Lygia Clark. Sensorial experiences, the perception of the body, forms and tactile sensations are mixed and reflect the human race as part of the cosmos, getting lost to find itself. Art, stripped of its virtuous image, as an action of the common human being, the expression of living things, runs from the mechanical repetition of movements and attitudes.
1973
Meat Joy
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
1964