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Soy dominicano

2024

The time after the rain

Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.

2023

Daughters of sand

Benda, a young Sahrawi woman in the diaspora wonders about the future of her people's children and women. We accompany her on an emotional journey to the refugee camps to see the more human face of the conflict. The film leaves the political as a mere context to focus on the dreams and drama of a people determined in their struggle to return home.

2023

AIMRA, no man's land

Western Sahara is a country full of stories. We chose to focus on the Sahrawi women living in Spain, where they have taken up careers in different areas: doctors, nurses, teachers, artists, lawyers, writers. We coexist with them. Some are Muslim, others have strayed away from their original culture, although they remain persistent on defending the most ancestral parts of their traditions. It is a gaze through the exiled Sahrawi woman’s eyes.

2022

Amaidan Salah: the Saharawi marathon

A documentary about the situation of the saharawi people in the refugee camps of Tindouf through the life and participation in the 2019 Sahara Marathon of the saharawi athlete and political refugee Amaidan Salah. An amateur documentary made using only a cellphone.

2020

Sand on nails

The history of Western Sahara was cut short more than 40 years ago. One, two and almost three generations have seen their life expectations and those of their children frustrated, powerless in the face of the impunity with which Morocco continues to occupy their territory. Through the life of Hask, a Sahrawi who has been living in Spain since he was 12 years old, the story of people who live in a borrowed desert far from their home is told.

2020

Atil

Atil, a documentary on the life of the Saharawis in the Tindouf refugee camps in Algeria. In the camps there are no limits, since creativity and innovation give rise to ideas that succeed in changing the world. As a result, this documentary presents five young Saharawis who show day by day that anything is possible, despite the difficulties. They are all examples of perseverance. Discover a place where hope is never lost.

2019

Running home

Inma (24) is determined to win a marathon in the Sahara Desert. But her motives run deeper than the physical challenge. A few months ago, she came across adoption papers that revealed the birthplace of her biological mother: Laayoune, Western Sahara. Having never heard of the country, she decides to train for an international marathon that takes place in the Sahrawi refugee camps in Northern Africa. It is the perfect opportunity for her to learn about a history she never faced growing up in Spain.

2019

Three tea glasses

Ismael, Hindu and Bachir are three Sahrawis living in Gran Canaria (Canary Islands). They tell us about their lives away from their home country (Western Sahara), their own personal history and experiences... and the challenges they face in an island they consider something of a second home. This short film combines the three main characters' impressions with archive images of the Dignity Camp, of the Tindouf camps, and images of the Western Sahara in the mid- 70's. A Canary Islands production shooted in Gáldar and Las Palmas de Gran Canaria.

2018

Diaspora in the Sahara

Testimonies of a people enlisted on the path of independence. Records taken at refugee camps in Tindouf (Sahara Desert in southern Algeria) and Bir Lehlu (region liberated by the Polisario Front)

2018

Bidun Hawiya

Bidun Hawiya is a documentary short film that intends to make society reflect on the Sahrawi people’s loss of identity, as they are forced to obtain a document in order to have access to certain essential rights. Not only does the Spanish government make the entry of a population that used to be Spanish very difficult, but it also intends to use these peoples’ identity to bury a situation that has been uncomfortable for them for 41 years, thus solving a problem that won’t be fixed until it has disappeared.

2017

My Sahrawi family

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.

2014

Roots and clamor

Their desert was not the same since they last saw it. The dunes kept memories of a childhood bathed in sun and sand, when minutes passed by in a stalling time. It has been long since they moved to the city, in search of a better future. They left, switching their tents for high buildings in busy boulevards, bearing in mind their responsibility towards their society. Each step marked by the commitment to make of their training the future of their people. It is the outcry of souls deep-rooted in tradition, in culture, in the stories of their sand. The desert was not the same, it may have never been. This documental show how they left to change it.

2014

Sons of the Clouds: The Last Colony

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

2012

Brahim's eyes

Brahim Mohamed Fadel is a young Sahrawi boy, blind since birth, who studies at the University of Málaga. A life full of difficulties, overcome thanks to his extraordinary spirit of overcoming. A film for reflecting, learning and feeling.

2011

Ali Salem, architect of resistance

Ali Salem Hamudi Mohamed - Yahdih, was born in 1955 in El Aaiún (Western Sahara). He completed his secondary schooling in the "Spanish" Sahara. A scholarship allowed him to enrol at the Universidad de la Peninsula in 1975, but Morocco's invasion of the Sahara led him to return to the city of his birth and go into exile with his people, participating in the resistance and helping to organise the Tindouf Refugee Camps (Algeria). In 1980, the Polisario Front and the Government of Cuba offered him the opportunity to study Architecture at the University of Havana. On his return to the Camps in 1985 he worked for the SADR's Department of Construction. He designed more than twenty public buildings, including town halls, schools and nursery schools, and also collaborated with international aid organisations to build hospitals and training colleges. All of these buildings were built collectively by the Saharan people. ;In 1999 he emigrated to Spain. His family joined him five years later.

2008

Caribbeans of the Sahara

...the desert is your own face, and if you don't love your own face, who could you love someday?...

2006

The Cubarawi women

Muslim women who leave the camps as teenagers to study in Cuba. After over a decade living in the land of salsa, they return to the desert... how will their new spirit adapt to Islamic precepts? What reasons do they have for leaving Sahara at such a young age? What is their reason for returning?

2005

Law of the Jungle

Shows the colonization process in the nature reserves of La Serranía de la Macarena and Bajo Caguán in Caquetá. The settlers and a FARC leader describe the causes of the burning of the forests and the role of the guerrillas in areas where there is no state presence.

1989

Jom Kita Ke Laut: Itui Suli-Suli Bajau!

Bilkuin, Shima and Didi are three youths living on Omadal Island, situated off the coast of Sabah in Borneo, where a majority of the population consists of the stateless Bajau Laut (Sea Gypsies). After joining and excelling in a filmmaking workshop, they are selected to be junior directors or apprentices to be mentored by a professional film crew. 'Jom Kita Ke Laut' tells the specific story of their three lives as they try to document it on their own, which eventually gives us a view of how life is on the island for the Bajau Laut and the challenges they face by being stateless in their own land and not having access to basic human rights like education and healthcare.