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She is from LÁ

Women find empowerment behind the red nose and makeup, revealing the playful and subversive spirit of female clowning. Through poetic and intimate performances, the clowns share stories that go beyond laughter, exploring their role as manipulators of energy and expression.

2025

Letters to my Grandma

A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.

2024

Fier.e.s, la voix du Pacifique

In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.

2024

Lugar de Nadie

2024

Streams of White

A sitting man listens to his thoughts, but can't catch any of them.

2023

to boyhood, i never knew him

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

2022

Casa Susanna

In the 50s and 60s, deep in the American countryside at the foot of the Catskills, a small wooden house with a barn behind it was home to the first clandestine network of cross-dressers. Diane and Kate are now 80 years old. At the time, they were men and part of this secret organization. Today, they relate this forgotten but essential chapter of the early days of trans-identity. It is a story full of noise and fury, rich in extraordinary characters, including the famous Susanna, who had the courage to create this refuge that came to be known as Casa Susanna.

2022

Demétrios

Performative and expository documentary, which highlights the contrast of experience among transgender men in Brazil. The short film brings five characters - Kenai, Caetano, Augusto, Pietro and Daniel -, each one reflecting a different reality.

2022

Caught

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

2021

Where Love Lives: A Story of Dancefloor Culture & Expression

Documentary by the music label Defected and its brand Glitterbox about electronic music, its beginning in New York and its importance for minorities all around the world.

2021

Re-Births

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

2017

Haunted

Syria. Among the ravages of war, there is also this more discreet yet vital phenomenon: exile. Leave, stay? A question Liwaa Jazji tackles. The place of this tearing apart of the self to the self will be the house as a physical space, as a place of memory of gestures and bodies, as the receptacle of our familiar objects.

2014

Tie and Red Nail

Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.

2014

Queens Don’t Cry

Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.

2002

Stafford's Story

Trans man Stafford candidly tells the story of a memorable encounter he had at a sex club.

1992

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

1983

Sans Soleil

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

1983

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

1938

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

1938

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

1927