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Her Market Value is a 1925 American silent melodrama film directed by Paul Powell and starring Agnes Ayres. Powell produced the picture and distributed through Producers Distributing Corporation.
Agnes Ayres, George Irving, Anders Randolf, Hedda Hopper, Edward Earle, Taylor Holmes, Gertrude Short, Sidney Bracey

The story of a struggling actor who meets Mian Tariq Ali, a relic of the once thriving film industry. The struggling actor is there to convince Ali to divorce his wife. A contest of male dominance between the two men ensues, starting quite reasonably, playfully even, but eventually turning angry and violent.
2014

A poor army veteran in Taiwan adopts a daughter. She grows up and leaves him to enter show business. When she becomes famous she shuns her father and friends.
1983

Adapted from the TV and radio series of the same name, the producer of said show reads letters from three woman providing the framing story for this melodrama anthology film. The tales focus on parenting and family struggles.
1951

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
1947

A simple Connecticut farm girl is recruited by a distant relative, an aristocratic patroon, to be governess to his young daughter in his Hudson Valley mansion.
1946

Wandered away from his asylum, an amnesiac World War I veteran falls in love with a music hall star but his amnesia makes it difficult to last.
1942

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.
1942

Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.
1939

Film follows the romantic exploits of two depression-era manicurists, one of whom is being woo'd by a true gentleman of means, the other of whom lets herself become a pawn of operators of a call-girl ring.
1932

Pre-code melodrama about high society marriage and fidelity.
1931

A man's pregnant second wife gets upset when he decides to go overseas to his young son, who may be dying of typhoid fever.
1930
A determined copy boy achieves his aspiration of becoming a journalist after unearthing the hideout of a criminal gang.
1925

Immediately after the October revolution, in Russia, stir unrest and propaganda against the Government of the United States. Serge Oumansky is a Communist agent trying to organize terrorist actions against the same United States.
1925
In the Latin Quarter of Paris, Mimi earns the nickname "The Mad Dancer" and poses in the nude for a sculptor named Serge Verlaine. After her father commits suicide, Mimi travels to the United States to live with her American relatives. Her new family heavily disapproves of her past and insults her for having posed for Verlaine. Unwilling to tolerate the abuse, she walks out and moves to Washington, D.C. In D.C., Mimi secures a new life and becomes engaged to Keith Arundel, the son of a United States Senator. Her hard-earned respectability is jeopardized when her bohemian past threatens to catch up with her and expose the details of her life in Paris.
1925

Young New York playboy Stephen Winthrop inherits the entire estate of his wealthy Canadian uncle but pays scant attention to it, preferring the "party" life in New York. He is unaware that the family attorney, Frank Garson, has forbidden hunting on the Winthrop lands in Canada, cutting off the livelihoods of the local villagers. Mary Cartier, goddaughter of the village priest, travels to New York to try to get Stephen to change the policy. He returns with her to Canada, sees what's going on, and lifts the ban, then decides to stay in Canada. Mary returns to New York to try to help Garson's abandoned and ill wife and child, but the wife dies, and Mary brings back the small child to Canada. The villagers, mistaking the child for Mary's, are outraged at this "scarlet woman" flaunting her illegitimate child and attempt to drive her out. Complications ensue.
1924

When two men, one from the city the other a trapper and a woman are trapped in a cabin in the Northwoods after a massive snowstorm. Through the winter a silent bitter struggle develops between the men for the hand of the young woman which ends in the treachery of the city man being exposed and the trapper winning the affections of the young woman after a thrilling forest fire.
1922

When Rosamond, a convent girl, discovers that her mother is Baby Brabant, a notorious queen of Petworth's gambling house, her ideals are shattered and she denounces her mother's life.
1921

Rachael (Bessie Barriscale) marries Clarence Breckenridge (Hershel Mayall) a widower much older than herself. Although she tries to be a good wife, he ignores her for the bottle. In addition, his daughter, Billy (Ella Hall), who is not much younger than Rachael, is spoiled. When Rachael meets the family doctor, Warren Gregory (Herbert Heyes), they fall in love.
1918
An American Indian child, maltreated by her mother and other tribespeople, accompanies her family to a nearby town to buy supplies. There, local white settlers — a couple and their young daughter — befriend the child and give her a doll, her first and only toy. Meanwhile, another tribesman is wantonly killed by a settler. Enraged, the Indians plan revenge and organize a war-party to attack the town. The Indians also take from the child the doll she was given and smash it. The child mourns her broken doll, and buries it with traditional tribal rites. Alarmed that her new friends will be harmed when the town is attacked, the child rushes ahead of the war-party to give warning of the imminent attack. In the raid the child is struck by a bullet, and makes her painful way to her doll’s burial site. Alone, she dies.
1910

In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.