Watch Éternel amour (1914) Online Free

#WhereIsBeauty

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.

2016

Bear

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

1993

Daisy Kenyon

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

1947

Beauty Parlor

Film follows the romantic exploits of two depression-era manicurists, one of whom is being woo'd by a true gentleman of means, the other of whom lets herself become a pawn of operators of a call-girl ring.

1932

Men Call It Love

Pre-code melodrama about high society marriage and fidelity.

1931

The Manxman

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

1929

Shadows of the Night

Gray plays a reporter trying to unravel a murder involving organized crime. Lorraine plays the heroine.

1928

Should We Be Silent?

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

1926

Not So Long Ago

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

1925

Enemies of Women

The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)

1923

The Kid

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

1921

The Woman Gives

A 1920 film directed by Roy William Neill.

1920

Sealed Hearts

Frank Prentiss, a multi-millionaire who hates and distrusts women, convinces his adopted son, Jack, that they are detrimental to a man's success. The overworked Frank is forced to rest at the country home of his friend, Mr. Gray, where he meets and falls in love with the host's daughter, Kate. She refuses his proposal at first, but later accepts because her father, who has two younger children, is experiencing financial difficulties. Following the wedding, Kate is subjected to Frank's verbal abuse and seeks solace with Jack. Their friendship enrages Frank, who tortures them with his accusations. During a dinner party, Frank accuses Jack and Kate of being lovers in front of the male guests. Jack is restrained from accosting his father, but Frank suffers a fatal heart attack. Later, Jack and Kate fall in love and are married.

1919

Take a Chance

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

1918

The Iron Woman

Steel mill owner Sarah Maitland has raised her two children, Blair and Nannie, to be honest and caring, however Blair disappoints her when he seduces the wife of his best friend and breaks up her marriage. No one is happy but it takes a near fatal accident to set things right.

1916

Carmen

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

1915

The Stepmother

1910

The Sealed Room

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

1909

The Story of the Kelly Gang

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

1906

The Mistletoe Bough

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

1904