
Onward, upward, greener [redder] grasstures.
2017

I really hope this is well-received. I really hope there's some sort of reprieve.
2017

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
2017

Shadows frighten what one oughtn't be gripping (that thing before/hind you).
2017

Rather pointless, rather stilted, fetid; not what we want us going after.
2017

Hiding inside&out, writhing about, taken out&in.
2017

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
2017

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
2017

Return to 'burn' only to find out you're already in that urn.
2017

Beyond all human restraint lies one's lugubrious layers of paint.
2017

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
2017

1 minute experimental film.
2017
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
2009

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
2008
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
2005


Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
2002

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
1998

A psychedelic montage of home movie footage gives way to a silent western story.
1971
Magnetic Scramble is the first video work by Toshio Matsumoto. Here, the artist manipulates television images (of student demonstrations against the U.S.-Japan Security Pact) by holding a magnetic coil next to the monitor. Matsumoto later incorporated this piece into a scene of his film Funeral Parade of Roses (1969).
1968