
Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.
2026

2025

2025

CATS, SEA, FISHERMEN AND SUNSET. The sequel to the original Love Poems. A short documentary Film capturing beautiful shots in the City of Alexandria followed by a Poem written for the city by Salma Torrez.
2025

In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.
2024

2024

"Time" takes you through the city at night, capturing fleeting moments. With dynamic visuals and an atmospheric soundtrack, this short film explores the nature of existence and memory. Narrated by David Bowie, it invites you to reflect on the passage of time.
2024

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
2024

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
2024

a poem. trees. fragments of fritz. love—and nothing besides!
2024

A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.
2022

The experiences of five free-spirited individuals trying to break free from societal norms. Each narrative discusses creativity, mental health, labor activism and gender politics.
2021

2020

A poet and his walk through a future of the dystopian present.
2017

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
2014

The ten anthologies and eight long poems of the Sangam age are the oldest and most distinguished body of secular poetry extant in India, of which women poets were a very strong presence.
2012

The life and literature of Mato Grosso do Sul poet Manoel de Barros. Alternating sequences of interviews with the poet, verses from his poetry, and statements of connoisseurs of his literature, the film portrays a revealing panel of the author's language. Manoel de Barros, age 91, with some 20 books published, lives in Campo Grande. Acknowledged, the winner of several literary prizes, he is the Brazilian writer who accounts for the greatest sale in poetry in Brazil.
2010
Video poem about New Hampshire and its foliage in Autumn
1989

This 11 minute homage to the male member shows its subject in the various stages of erection. The voice-over poem by James Broughton includes the line "This is the secret that will not stay hidden."
1979

The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.
1978