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As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
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Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
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unbroken rhythms
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2024
Alternate Spaces
A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.
2022
Time to Read Poems
The experiences of five free-spirited individuals trying to break free from societal norms. Each narrative discusses creativity, mental health, labor activism and gender politics.
2021
The Artist’s Garden: American Impressionism
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
2017
Pássaro Transparente
A poet and his walk through a future of the dystopian present.
2017
Sugar Shack Tales
"Sugar Shack Tales" unfolds the stories of those solitary men who keeps the spring ritual alive. They run the buckets and boil the maple sap in their beautiful and old shacks surrounded by a mystical atmosphere.
2016
If it Won’t Hold Water, it Surely Won’t Hold a Goat
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
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Passion for Snow
What do Daniel Webster, Dr. Seuss, C. Everett Koop, Robert Frost and 100+ Winter Olympians have in common? They all spent time at Dartmouth College, Hanover, NH where winters are long and snowy. Passion for Snow traces over 100 years of ski history in the United States with a focus on the many contributions of Dartmouth College and its alumni to the formation, growth and ongoing innovations in all aspects of snowsports. Passion for Snow combines firsthand accounts from early ski pioneers, veterans of the 10th Mountain Division, Olympians, members of the U.S. Ski Hall of Fame and top ski industry and resort executives, who explain how the most remotely located college in the Ivy League helped spawn a $25 billion industry, and continues to shape it today.
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Only Ten Percent Is a Lie
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Hermes Bird
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The Black Contribution: Literature and Theatre
The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.
1978