The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.

Special Olympics athlete Jesse Lanterman prepares for her upcoming competition in her usual ways: working her salon job, bowling with friends, and searching for the juiciest strawberry in her garden. Filmed by the subject's cousin, this week-in-the-life short documentary offers an intimate profile that champions the tenderness of cousinly love.
2025

Women find empowerment behind the red nose and makeup, revealing the playful and subversive spirit of female clowning. Through poetic and intimate performances, the clowns share stories that go beyond laughter, exploring their role as manipulators of energy and expression.
2025

A generational trauma through the lens of an Asian American teenager through food and poetry.
2025

2024

Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.
2024

A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
2024

Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.
2023
De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.
2013
A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.
2013
Image by Carlos Casas. Double screen projection with live soundtrack. Images and sound captured on location. Somewhere in the tundra, Chukotka Region, Northeastern Siberia, Russian Federation. Music by Prurient. Published by Von Archives. N 66° 37’ 916, W 172° 40’ 353, Sept 2006.
2012
Images and sound captured in Zamboanga city Mindanao, Philippines. During sunset. Part of the Azan series & the Philippines fieldworks.
2011
"Filmed in Cairo, in Al-Azhar Park, sunset during Isha'a praying time. The city becomes a Chorus. Dedicated to the people of Cairo. With love and hope." Part of the Azan series & the Cairo fieldworks.
2010

An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice
2002

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
1996

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
1992

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
1988

An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.
1970

The study of the artistic work and its relationship with the author generates reflections on the connection between the material and the spiritual. The Dance of Icarus is a poetic documentary that offers an open space for reflection, like a tribal dance. Through the effort, passion and imagination of the artist José Benítez, the pictorial process becomes a profound relationship between the artist and the canvas, raising unanswered questions about creation. This documentary, loaded with symbolism, invites a total immersion in the creative process. Directed by Jesús Jiménez, this debut film is presented as an expressionist work that celebrates art in its purest and most visceral form, exploring the dimensions of artistic creation and its impact on the viewer.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
1983

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
1977