In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. By 2020, Natasha has lost everything to Russia's war between Propaganda and Truth.
Natalya Sindeeva, Aleksandr Vinokurov, Vera Krichevskaya, Anna Forshtreter, Anna Mongayt, Renat Davletgildeev, Mikhail Zygar, Vladimir Putin, Dmitry Medvedev, Alexei Navalny, Boris Nemtsov, Dmitry Peskov

Four families recount how they met and formed their families at a time when marriage and civil unions were denied to LGBT+ people. The film demonstrates what homophobia seeks to attack: love and family.
2025

As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school.
2025

United by the same dream, Yves Fagniart and Olivier Larrey, watercolorist and wildlife photographer respectively, set up home in a shack just a few square meters square, in the middle of the no-man's-land between Finland and Russia. Their aim: to document the intimate life of a pack of wolves, presumed to frequent this frozen peat bog landscape.
2024

2024
Kirill can never see his hometown again: he fled Russia when Ukraine was attacked. His friend, Daniel, makes the journey and “cans Moscow” for him. Kirill discovers his “reconfigured” apartment; his bicycle hanging on the wall watches over his remaining comrades. In snowy Moscow, the lights are shining for the holidays. Kirill looks at the images: engulfed passers-by, war posters: “This is not my city”.
2024

Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
2023

A Russian-Australian cinematographer travels to Albany to find out about the time when a 19th Century town at the end of the world was put on high alert of a Russian invasion.
2023

2021

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
2021

In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
2020

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.
2019

2018

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
2017

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
2014
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
2013

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
2007

This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
2004

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
1998

This feature-length documentary analyzes television newscasts and, as a result, takes a look at the news industry as a whole. By tackling five major themes – the script, the stars, the show, the actors and telecracy – it elucidates and demystifies certain aspects of television news, the bearer of daily news and guarantor of a certain image of reality.
1978

1967