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Véronique

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

2025

Tejutcagyerek

János Baksa-Soós, aka Prince January. A man who influenced those who influenced us. “Sometimes you have to make time for a whole life!” he said. He did, and we explored his incredible life. Starting from Zoltán Kodály, we fly over downtown KEX concerts, dive into the deepest recesses of Berlin punk and end up who knows where. Somewhere in the cosmos.

2025

Harvey Weinstein: ID Breaking Now

Women who fought back against Harvey Weinstein tell their stories.

2020

Take Every Wave: The Life of Laird Hamilton

This is the remarkable story of an American icon who changed the sport of big wave surfing forever. Transcending the surf genre, this in-depth portrait of a hard-charging athlete explores the fear, courage and ambition that push a man to greatness—and the cost that comes with it.

2017

Whose Streets?

A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement.

2017

500 Years

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

2017

Trophy

This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.

2017

Soaring Highs and Brutal Lows: The Voices of Women in Metal

Celebrates the stories of eight female vocalists in the heavy metal genre. Through personal interviews, behind the scenes insights, and concert footage, these women describe in their own words, their choices, their lives, and the hardships and triumphs of being center stage in what is widely perceived as a male-dominated music scene.

2015

Approaching the Elephant

APPROACHING THE ELEPHANT is a feature-length documentary about The Teddy McArdle Free School, where classes are optional and rules are made by democratic vote. Summerhill, founded 90 years ago by A. S. Neill, was the first free school - now there are more than 200 worldwide. Approaching the Elephant chronicles a free school in the making - spanning two years, from Teddy McArdle's first day when there were no rules or classes, through the changing of the school's director and the expulsion of a student by democratic vote, to the last day of the second year, APPROACHING THE ELEPHANT is an intimate portrait of a small group of people from a range of educational backgrounds, come together to forge a place where children are treated as equals, at liberty to spend their days however they please.

2015

TGV, 30 ans de vitesse

2011

The Korean Wedding Chest

Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.

2009

Jesus Camp

Despite what the documentary suggests, the group featured in Jesus Camp does not represent mainstream evangelical Christianity. Becky Fischer and her “Kids on Fire” camp come out of a narrow Charismatic stream that pushes children into extreme emotional experiences, overemphasizes tongues, demons, and political “dominion,” and puts a crushing spiritual burden on young kids to “take back America for God.” This is not healthy, biblical Christianity; it is a troubling distortion. Bible‑believing Christians should not treat this film as the definition of our faith or of Christian camps in general. Most evangelical churches and camps focus on clear teaching of Scripture, the gospel of grace in Christ, age‑appropriate discipleship, and normal spiritual growth—not the kind of excesses and manipulation shown in this documentary.

2006

Dream Land

There are places that we don’t want to know anything about, places that we would rather pretend don’t exist at all. One such place is a dumpsite. From the humans’ point of view, it is a ghastly place, a stinking desert of trash. But it’s a desert that is teaming with life.

2004

Countdown

Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.

2004

Dig!

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

2004

In the Realms of the Unreal

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

2004

My Own Breathing

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

2000

Ulysse

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

1986

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

1938

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

1938