Thirst overcomes the hordes of Wildebeest and Zebra moving through Kenya's Masai Mara game reserve on their spectacular annual migration. With the cycle of the seasons comes the dry months, the water of the marsh receded. Now the residents of the marsh face a time of hardship, food will be scarce, until the next rains fall.
Michael Richards

Following the dealings of Mauritanian fixers ferrying migrants by sea, this film shows the human cost of irregular migration in West Africa. Interrogating the role of fixers as facilitators of the voyage across the sea as well as the casualties that occur, this asks if they are very different from 16th century slave catchers.
2023

A documentary film about men, women, and children fleeing northward from the existential threats in their home countries of Honduras, El Salvador, and Guatemala. They embark on a perilous journey with an uncertain outcome. Shortly after crossing the southern Mexican border, they find shelter with people who want to help them survive the ordeal of the at least 1,700-kilometer journey to the US.
2017

“Raw City” is an observational documentary set in Gori, where many young people are forced to think about leaving. It explores migration as a real, everyday experience shaped by limited opportunities. Staying often means accepting restrictions, while leaving becomes the only way forward. The film follows artists, students, and young professionals through their daily lives, showing the quiet pressure behind this decision. Without narration, it relies on real moments and observation. At its center is Gori’s Art House, a fragile cultural space that still gives some a reason to stay. “Raw City” presents a city where the future of its young generation is slowly disappearing.

For over a decade, Stephanie has sacrificed her golden years to care for her husband with dementia.
X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones. Taking the Palestinian refugee camp as a case in point, the video engages with the different discourses — legal, symbolic, urban, historical — that give meaning to this exceptional space.

"While I'm Away" is a first-year student animated short. This short is about the sense of not fully belonging to one place, and missing the other one when you are away. The guilt of moving abroad in the first place. Being the first generation to do this in your family. The constant self-reassurance that you aren’t doing anything wrong but still having no idea how to navigate all this. Re-birth. Alienation. Growth. Guilt. Renewal. Envy.
2026

Espejo de Agua is a non-fiction short film set in Venezuela 's Sinamaica Lagoon, Zulia, where the Añú people are silently displaced due to climate change. Community leader Laura and the inhabitants of the lagoon, inside and outside their homeland, cling to the hope that it is not too late for changes and preserve their ancestral culture.
2025

Before the eyes of the Sudanese Ahmed (25), the war broke out in full force. He decides to flee on foot to the Netherlands alone, to be able to live there in freedom. This documentary shows part of his arduous journey: from the Italian Alps to Ter Apel.
2024

Imad, Nourdine, Walid and Hamza are a group of young Moroccan boys living in a cave under the lighthouse in the Spanish exclave Melilla. They wait for their chance to cross the sea, spending their time with drugs, video calls with their mothers, and filming themselves for YouTube while breaking into the harbor.
2023

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.
2023

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
2023

On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
2023

2022

2019

2017

In April 2015, two shipwrecks in the central Mediterranean resulted in over a thousand deaths. The first, on 12 April, occurred when an overcrowded boat was approached by a large commercial vessel. Less than a week later, on 18 April 2015, a similar incident led to over eight hundred deaths after an overcrowded vessel collided with a cargo ship that had approached to rescue its passengers. Both incidents are in part the result of changing EU policies toward at-sea rescue, particularly the retreat of state rescue operations and a resulting onus on commercial vessels to fill the ‘rescue gap’.
2016

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
2016

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
2013
On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.
2003

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.
1975