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Wine and War

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

2025

Perhaps Today...

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

2017

Pedra e Cal

A film about rural houses in the interior of the Algarve, showing the relationship between the present and memories evoked in the intimacy of the home. Working architecture from the "social imaginary", focusing on how homes were and are lived.

2016

Woodstock: Untold Stories Revisited

Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18) Joan Baez: "Oh Happy Day" (3:59) Joan Baez: "I Shall Be Released" (3:38) Santana: "Persuasion" (2:55) Canned Heat: "Woodstock Boogie" (8:38) The Grateful Dead: "Mama Tried" (2:53) The Who: "Sparks" (5:25) The Who: "Pinball Wizard" (2:51) Jefferson Airplane: "Volunteers" (2:53) Jefferson Airplane: "Come Back Baby" (5:56) Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23) Crosby, Stills & Nash: "Helplessly Hoping" (2:27) Crosby, Stills & Nash: "Marrakesh Express" (2:55) The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53) Sha Na Na: "Book of Love" (2:07) Jimi Hendrix: "Spanish Castle Magic" (7:09)

2014

Incendies

A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

2010

July Trip

"When this last war broke out, I was faraway in Paris. I had but one idea: to return to Beirut as quickly as possible and to begin shooting a film, for historical moments were taking place. This film became indispensible: to film so that history would cease repeating itself and to build up a picture library for future generations. I never understood why so few films were made during the Lebanese Civil War. Apart from the odd film, nothing remains from that time. The war surely merited more attention." (Waël Noureddine)

2006

We Loved Each Other So Much

Inhabitants of Beirut talk about their love for the singer Fairuz.

2003

The Legacy of the Shatila Massacre

As Ariel Sharon looks set to become Israel’s new PM, this strong feature revisits the 1982 Shatila massacre and looks at the region’s future under a man with so much blood on his hands. Eyewitnesses and survivors speak publicly of the massacre for the first time, and there is new testimony about the role of Israeli forces under Sharon’s command. As Defense Minister in 1982, Sharon turned a 72-hour operation to remove Palestinian guerrillas from south Lebanon into a three-month invasion. It claimed 20,000 Arab lives and climaxed with the massacre of unarmed Palestinian civilians in the Sabra and Shatila camps.

2001

Objects of War

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

2000

West Beirut

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

1998

Kidnapped

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

1998

Hezbollah: The Chronicle of a Return

Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.

1998

The Green Line

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

1998

Beyrouth, Le Dialogue Des Ruines

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.

1993

War Generation - Beirut

War Generation - Beirut explores the lives, dreams and fears of three generations of young people living in the heart of the civil war in Lebanon. This seminal work from Jean Chamoun and Mai Masri remains one of the most powerful anti-war documents of the period.

1986

The Razor's Edge

Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.

1985

Lebanese, Hostages of Their City

Jocelyne Saab toured the city of Beirut devastated by Israeli bombings. She assesses the number of victims and the extent of the destruction.

1982

Beirut, Never Again

1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.

1976

Lebanon in a Whirlwind

A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.

1975

So the Lovers Could Come Out Again

Perched in a tower high above Beirut where they monitor the world below through their sniper lenses, two soldiers in the Lebanese civil war find love in their watchful seclusion. The film sketches a humanistic portrayal of two men in love at war and the fragile and violent circumstances that allow them to stay together.