YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
Teresita Lauang, Cindy Yeung, Carlito Lauang, Alfred Cheung, Christian Lauang, Ofelia Dela Cueva, Marriane Lauang, Ely Dela Cueva, Justin Cheung

This is a story about youth with music. It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. But along this journey accompanied by music, they have been savoring the joys and sorrows of their youth, burying them deep in their hearts, and transforming them into growth-promoting nutrients.
2025

Larry and Mel embarks on a quiet camping trip under the vast skies of Cagayan. What begins as a simple escape becomes a heartfelt journey of rediscovery—of family, perspective, and the beauty of the present moment.
2025

Folding towels, straightening out sheets, taking bathrobes out of the dryer, stripping beds, cleaning up vomit. Fluffing pillows—making a dent for elegantly turned-up corners—and endless scrubbing, cleaning and clearing up messes. Behind the scenes of a hotel in the Italian Dolomites, the staff do everything they can to serve the guests and prevent complaints. The hotel has four stars, and a fifth is in sight.
2024

2023

By asking the same question across generations of Southern Chinese in the UK, this film documents a vignette of two recent Hong Kong immigrants and reflects their own socio-political conditions through their conversation.
2022

The documentary offers a glimpse into the life of a farmer who worked in the fields with his father when he was young. After spending time in the city as an adult, he returns to the countryside to take over the family’s business and learns the essence of making a living from the land.
2020

West Estate spotlights the severe housing problems in Hong Kong, taking the spirit of resistance outside of the protest. The damaged walls in the cage-like tenements reflect the many forms of social injustice as well as Hongkongers’ widespread sense of rootlessness. Connecting three stories from different households like puzzle pieces, the film depicts people’s despair over issues of family, sexuality, love, and freedom.
2020

This Anti-ELAB (Anti-Extradition Law Amendment Bill) Movement documentary short takes us back to the airport occupation on 12 August 2019. Although this new form of protest soon turned into a crisis, it became an important lesson for the protesters. Compared to the tension inside the airport terminal, the long walk home at sunset on the Lantau highway, which connects the Hong Kong International Airport to the residential areas, felt like a reminiscence of a school field trip.
2020

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.
2019

A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
2019

Filmed in the mountains of Barotac Viejo, Iloilo, Pagrara Sang Patipuron revolves around a group of indigenous women who work as weavers. This documentary follows their creative process and how they maintain their place in an increasingly modern world.
2017

Kupkop, which literally means to “adopt”, follows three abandoned children with cerebral palsy who find love and affection through their foster kin.
2017

Roel Cabato, a Baguio-based Ilocano-Ifugao artist-environmentalist who creates artwork from rummaged materials and showcases them in his home and art space, Hanan’chi. Through his creations, he conveys his spiritual connection with his Ifugao background, as well as his campaign for environmentalism and recycling.
2017

Documentary about the growth of street dancing in the Philippines
2017
A story about love, hope, giving, sharing, forgiving and three ducks.
2017

They are frozen in place, stagnating without any direction. Around them, things change rapidly.
2016

The tale of an activist’s journey during the turbulent years of Martial Law, until his capture in the mountains and the dark, nine years of imprisonment that followed, leading to his birth as a poet.
2013

Rosalie rides the MRT everyday and she becomes infatuated with the handsome man on the billboard. She talks to his picture intently every day until to her surprise the image comes to life. At the same time she meets MRT driver Eric who she finds agreeable. Will she go for her dream or wake up to reality?
2002

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
1991

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.
1988